When & How Political And Nationalistic Issues Become Personal

There’s a few things about living in Turkey that I don’t like; the habit of ‘turkifying’ names being one of them," writes Catherine Yigit at her blog The Skaian Gates. She's one of the expat women writers featured in the Expat Harem anthology, and a contributor to the expat+HAREM blog. "So Catherine is sometimes changed to Kadriye, a completely different name. I don’t understand why anyone would want to change a perfectly good name to another one, isn’t changing countries/cultures/languages enough?" she asks.

My response to her post:

That's poignant, Catherine, and a good example of how political and nationalistic issues become personal.

When my father-in-law Suleyman went to London to work, they insisted on calling him "Sully", which he thought was amusing. Like many immigrant American families, our name was changed at Ellis Island. Names come to us in so many ways -- from the people before us, the land around us, the language on our tongues.

However, the fact of the matter is that what you're called is not inconsequential to who you think you are -- and being designated a new name by a group for their own convenience is often a power play.

Don't Lock Your Twitter Feed If You're Looking For Connection & Opportunity

Connected via TED's online directory with a sales and marketing director working in high tech and new media, in advance of both of us attending TED Global in Oxford. The guy explained he seeks to apply technology solutions in innovative ways to solve social issues, and he's currently looking for a new position.

Sounds good. I went to his Twitter feed to get closer and learn more but it's protected. He needs to approve me before I can see all the goodness he's sharing.

I asked him, "What's your reasoning for that, especially given you're in the market for new opportunities?"

He told me: "I have been inundated with dozens of requests of people to follow me. It is flattering to have a following, but when I look at the requests are from people I have no connection to. And, when I look at their profiles, they are following hundreds of thousands of others. Can anyone really follow 100,000 people on Twitter? I think there is a 'twitter stalker' phenomenon which likely leads to 'twitter spam'."

I have been using Twitter for a year (and am #3 Twitterer in Istanbul at moment, mainly because the Turks are not yet active on the service). I don't agree that twitter followers lead to spam. Anyone can send you spam using your twitter handle. If people follow you who have no good reason to do so, either they will drop off or never be heard from.

Many people don't use Twitter in optimal ways.

If you plan to be serious about it I'd suggest a bit of research into Twitter best practices. And follow @mashable @chrisbrogan @ambercadabra @sirhendrix and many others in the SM brand and biz coaching spaces.

One thing I'd say about this person's twitter handle (I'm not one to talk with an unpronounceable, easily misspelled name of "thandelike" but still, here I go) is that his handle itself sounds like spam. People are wary of marketers on Twitter so learning how best to be a marketer on Twitter may be in order.

The main idea of Twitter is to bring value to your network, and to grow that network organically through conversation with others. Share links (not only to your own work) and engage with the material others share. Don't make it hard for people to access what you share. Don't make it hard for us to grasp that you are a real person behind that spammy handle.

Decomposing Self: Misplacing Your Most Valuable Expatriate Possession

Happily at home in Istanbul in 2007, I flipped through Unsuitable for Ladies. Edited by Jane Robinson, this anthology of female travel writing crisscrosses the globe and stretches back into ancient history. Complete candy for me. Around the same time I was ruminating in an essay for a global nomad magazine why I've come to employ a defensive strategy for my expatriatism.

Sense of self is my most valuable expatriate possession.

During my first long-term stint overseas in the '90s my boundaries were over-run by circumstance and culture. Language and cultural barriers prevented me from expressing my identity. I'd tell Malaysians I was a writer. They'd reply, "Horses?"

I was mistaken for a different Western woman in Asia. A crew of Indonesian laborers working at my house wondered when I was going to drink a beer and take off my shirt.

Like leather shoes and handbags molding overnight, expat life on the equator made me feel my sense of self was decomposing at time-lapse speed.

A thunderbolt from Robinson: "Southeast Asia has more than its share of reluctant women travelers."

She compiled Wayward Women, a survey of 350 female travel writers through 16 centuries so her conclusion about Southeast Asian travelers is drawn from a massive canon. In that moment, my hardest-won lessons of expatriatism felt vindicated.

What happens to your unique travel or expat experience if you consider yourself part of a continuum?

Check out some of expat+HAREM's favorite hybrid life reads here.

Reading Travelers: Find Your Historical Context

"Can you share a travel secret?" asked an online travel site for women prepping its annual feature of tips from women writers worldwide. "Read the women who went before us," I replied. "Or, read about them."

For this expat/ archaeologist/ writer/ traveler, cultural wisdom pools at the intersection of women and travel.  The romance and grit of historical travelogue connects me to the land -- and reminds me of travel's transformative force in the lives of women. Reputation-risking. Life-threatening. Culturally redeeming. Personally empowering.  (My post about a related controversial history.)

Adventurous Women in Southeast Asia (Oxford-in-Asia), a selection of traveler sketches by historian John Gullick, gave my own struggling expatriate experience new meaning when I was sweating it out for 5 years in the Malaysian jungle. Playing an attitudinal extra aristocrat on the 1860s filmset of "Anna and The King" with Jodie Foster and Chow Yun Fat in 1999 (next to a pig farm during a swine flu outbreak, but that's another post!), I appreciated learning about the dark side of the iconic governess to the Siamese court. Foster may have played Anna Leonowens prim, proper and principled but actually the lady was a scrappy mixed-blood mistress of reinvention. There was hope for me!

If you plan a trip to Turkey maybe Cultures in Dialogue holds similar promise for you. The print-on-demand series resurrects antique writings by American and British women about their travels in Turkey (1880s to 1940s), along with surprisingly political writing by women of the Ottoman empire. Contempo analysis by spunky scholars Reina Lewis and Teresa Heffernan refreshes the context of a region in transition.

Any favorite antique travel reads? What draws you to by-gone reports? +++++ Check out some of expat+HAREM’s favorite hybrid life reads here.

Discussing Life At The Crossroads On Satellite TV With Martin Anthony

Talking about foreign women in modern Turkey, the making of Expat Harem the book, and other cultural crossroads, in a live television interview with Turkey's 6 News. Expat Harem coeditors Jennifer Gokmen and I appear in THE CROSSROADS, an English-language TV talk show broadcast out of Istanbul via satellite -- from Ireland to Mongolia!  The channel broadcasts programs in Turkish, English and Russian, which is why the news crawl appears in Russian.

Click on the photo to view Expat Harem on the Crossroads at YouTube. ⇒

Canadian host and personality Martin Anthony kept us on the hot seat for an hour in this lively session...we may be sitting next to a refreshing-looking pool in the city's breezy Etiler district, but can you tell it's the muggiest day of the year? Ooof, July 10, 2009.

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Great (Avatar) Expectations: Who Decides Our Best Look?

A longtime friend messaged me on Facebook to alert me I need to change my profile photo to a more flattering one. I snapped it in my sunny Istanbul kitchen on my iPhone. I’d just had my hair done -- and a facial, so not a stitch of makeup. I look somewhat natural, and somewhat my age of almost 45. I liked the image for that reason. An actual unvarnished look rather than the airbrushed Turkish portraits in my book publicity materials, my playful Photoshop-manipulated avatars on social media sites, or the pound-of-make-up glamour shot from my Today Show TV appearance in 2008.

The pic is not the only way I can look, and I’m not cementing it as my favorite of all time. There are some surprising wrinkles, but also a touch of grey in my eyes I'd forgotten. The image makes sense at the moment, relates to creative work I am doing to be my authentic self, and I am proud of who I am in it. I’m using it across the web.

When my Facebook friend and I first met (before she rushed me to the hospital with a high fever), she looked me over in my sick bed and told me all I needed was "a little eyeliner".

For two decades I’ve cherished that line as her special brand of caustic Southern comedy. She was raised in places where American women have been known to sleep in their makeup – just in case. Even if I enjoy a little maquillage and lighting magic too, I’m from a rather stripped down area in Northern California. It's only natural at our core we have different sensibilities about female presentation.

Delivered with love and true concern, yesterday's message was a reminder to me.

Only we can determine what our best self looks like.

What do portraits (and self-portraits) demand of us? Which version of yourself do you want to show the world today, and why?

Disposable Liaisons Of The Traveling Class

It's that time of year -- for what's euphemistically called "Romance on the Road." Getting your groove back in foreign zipcodes. Shirley Valentine’s Day. In 2006 I reviewed for Perceptive Travel a somewhat academic book about the controversial practice of "sex pilgrimage", traveling for the purpose of sexual adventure. I'm no proponent of behavior that often falls outside the bounds of a traveler's own culture as well as severely straining mores at international destinations. I warned the assigning editor he probably had more optimistic reviewers in his stable of cutting-edge travel writers. But he couldn't find anyone who wanted to be associated with the dense “history & how-to cum memoir” ROMANCE ON THE ROAD. Shipping it from Nashville, Tennessee to Istanbul was his best option.

Viewing the situation from the sex-toured Near East and my five years in South East Asia, it’s clear that one forgettable fling has the power to affect systems far larger than the person, family, village or region which witnessed and absorbed the behavior.

Plus, the environment of sexual predation many Western women face overseas is bound to be heightened by the wanton choices of sex pilgrims. Travelers and expatriates like me strive to modulate our behavior to find social acceptance with native friends, families and colleagues, aware we must differentiate ourselves from sexual opportunists who don't have to lie in the messy bed they've made.

Which cultural product are sex tourists exporting? Is the practice of hot-and-bothered globetrotters empirical evidence that Western culture is morally corrupt?

+++ Here's my full review from Perceptive Travel:

Romance on the Road Traveling Women Who Love Foreign Men

By Jeannette Belliveau (reviewed by Anastasia M. Ashman)

Jeannette Belliveau was a "sex pilgrim" for 12 years and now the 51 year old former erotic adventuress reveals all in this dense volume of travel sex history and how-to cum memoir.The author got her groove back after a divorce by sleeping with men in Greece, the Virgin Islands, the Bahamas and Brazil. Of French Canadian descent, she is currently married to a younger man of color she fantasizes looks like a 'pharaoh'. In ROMANCE ON THE ROAD she attempts to place her actions into wider context.

As an American expatriate living in Turkey, this reviewer senses a motive of authorial self-preservation: to normalize controversial sexual behavior which not only falls outside the bounds of her own culture but severely strains mores at international destinations.

Creating what she calls a geography of sex and love, the newspaperwoman from blue-collar Maryland examines a social phenomenon that may have involved more than 600,000 Western women in the past 25 years: travelers who engage in flings or long term affairs with foreign men, vaulting over cultural boundaries. While intercultural love and marriages are a subtheme, the book's focus is hedonistic sex with virile strangers."Travel sex by women is revolutionary," Belliveau declares, a rebellion barred from polite conversation and insufficiently chronicled by social scientists even if its roots are deep in Victorian travel.

The Western world might not deem it noteworthy but the buzz is growing in remote Central American fishing villages, sandy strips of West Africa, and the tiniest towns in the Himalayas. The author suggests that today's feminine voyagers are "stumbling into a major life experience without a map."

Does Romance on the Road provide a compass for the heartbroken (or hot-and-bothered) globetrotter looking for a distant cure? It can get a gal started.

Prurient interest will be dampened however by the charts, graphs, survey results, and Modern Language Association-style citations of more than 800 bibliographic sources from Henry James' Daisy Miller to a British newspaper feature entitled "My Toyboy Tours".

There's a global chronology of the trend, a summary of related books and movies, and basic ethics and etiquette ("remember the man is real, not an actor in your fantasy"; and "do not use him as a sperm donor").

She has done an admirable job of combining veteran intelligence on each locality with a profile of an adventurous Western woman and a timeline of foreign female exploits in the region. Much like the book itself, these geographic chapters are not all fun and games. In Latin America, "sex is a parallel universe of magic" yet gigolos may sport "a breezy attitude toward the truth". A sex pilgrim profiled has a bleak history, found murdered on the side of a Mexican road, "presumably left by a cruel pickup".

Clearly an optimist, Belliveau argues that despite obvious risks the lustful practice can be psychologically healing, fulfill a woman's urge for sexual connoisseurship, or address situations like involuntary celibacy.It can also be a road to discovery.

Erotic adventure may not be on the agenda but can be inspired by the act of travel itself. Wandering women have the opportunity to "reclaim pagan freedoms lost since the advent of civilization" Belliveau waxes, since they exist in a liminal zone, a reality unconnected to their usual existence. A traveler may view the people around her as social equals, think of herself as anonymous, feel unburdened by expectations of social propriety, be more playful and suggestive. Novelist Rebecca Brown is quoted discovering her sexuality on a trip abroad: "Like Stein, Toklas, and other women who have traveled away from home, it took leaving my native land to realize I was a lesbian."

Even so, it is difficult to approach Romance on the Road, or know who would, besides social scientists who might wallow in its surfeit of statistics or old hands who will identify with the insider dope, and buoyant we-can-all-get-it-on (and perhaps heal the world by having international children) conclusions. It's hardly pleasure reading nor something to openly peruse on a crowded subway. Some may not want to get caught reading it at all. This reviewer's Turkish husband handed it over saying "You got a trashy book in the mail."

It's unfortunate that Belliveau's concentration on ecstasy abroad overwhelms her scholarship on ethical and economic questions as well as cultural and social ramifications in sex-host cultures.

The few harmful consequences she includes are female tourists being perceived as "man-stealers" by native women in the Mediterranean, the Caribbean and Africa; the new role of hustler that thousands of foreign men have adopted; and a rise in STDs and incidents of harassment and assault. Soon enough she is making the case for positives like liberated Scandinavian women spurring sexual revolutions for their sisters in Spain, Greece and Mexico.

Belliveau doesn't seem concerned with the cultural factor freespirited sensualists export.

Writing from the sex-toured Near East, this reviewer suggests the damaging potential of each disposable liaison is empirical evidence that Western culture is morally corrupt. One forgettable fling has the power to affect systems far larger than the person, family, village or region which witnessed and absorbed the behavior.

The environment of sexual predation many Western women face overseas is also bound to be heightened by the wanton and culturally inappropriate choices of sex pilgrims. Travelers and expatriates striving to modulate their behavior to find social acceptance with native friends, families and colleagues must struggle to differentiate themselves from sexual opportunists who don't have to lie in the messy bed they've made.

Without apology Belliveau admits this detrimental byproduct of her Shirley Valentine amusement (or was it healing?): "At first I was appalled at the smothering level of harassment I encountered in Athens. Then I succumbed to these temptations, with the likelihood that my sex partners became further convinced about the ease of seducing any lone Western female tourists to later cross their paths."

On behalf of thousands of traveling women hoping to explore the world unmolested -- thanks for nothing.

Istanbul As Epicenter Of Pro Expat Women & Social Media Tribe?

I just spent an hour on the phone with a member of Professional American Women of Istanbul (PAWI) asking for guidance on using the internet to grow her business. She’s 51, hearing all about social media networking and willing to try whatever it takes. I was sorry to learn she’s spent a lot of time joining professional “e-marketing associations”, as if she’s shifting her business to marketing when in fact what she wants to do is add an online component to her existing business.

“Which automation tools should I use?” she asked, “they’re all talking about automation tools like Seismic and Tweetdeck.”

To automate what, I asked. Content you haven’t created, to put into distribution channels you haven’t forged, leading to niche customer bases you haven’t identified beyond their age and where they live in Istanbul? Cart, horse.

 

“I went to the Twitter site and couldn’t figure out what to do.”

I agree Twitter has a high barrier to entry, but once she’s got it she’ll be accessing all the information she needs to grow her business, and she’ll be learning it from the very individuals who are pioneering this field. That’s the beauty of Twitter.

I'll be leading a panel this fall on social media for professional use for International Professional Women of Istanbul Network. After today's call, now I'll be inviting members of PAWI.

Perhaps this can be the start of a connected, digitally-savvy tribe of international professional women in Istanbul and expat women everywhere.

 

I’m envisioning people in the community self-identifying themselves as “Social Media enthusiasts” or “SM-interested” parties after this panel, and then we can create an actual Istanbul Social Media subgroup for mutual support, skill training and sharing, and more.

I'll suggest the entire panel be proponents and active users able to demonstrate their individual professional development through Social Media.

1. What is social media? Definition, main platforms/tools, overview of its rise to prominence and communication paradigm shift it represents 2. Personal/professional uses of social media including expertise and platform building, professional development, job hunting, collaboration 3. Best and worst practices

BTW TRUST AGENTS by Chris Brogan and Julien Smith is the hot book coming out of Social Media at moment and encapsulates the most progressive thinking on the issues.

Reacting To Taboo: How Avoidance Can Make Us Complicit

I'm looking forward to attending TEDGlobal in Oxford especially since the 2009 conference's theme is "The Substance of Things Not Seen".  Invisibility, hiddenness, misapprehension -- all are threaded  through my own work. Consider Expat Harem's anachronistic, titillating concept. It taps into robust yet erroneous Western stereotypes about Asia Minor and the entire Muslim world: a forbidden world of cloistered women. When infused with a modern and virtual positivity -- the Expat Harem as peer-filled refuge and natural source of foreign female wisdom  -- a masked reality emerges: the harem as a female powerbase. This is an Eastern feminist continuum little known in the Western world.

"Help people talk about what they're most afraid of," is a mantra I've been hearing a lot from thoughtful personalities in my life. But first we have to surmount our own resistance to the topics.

I'm discovering with my latest book project, a forensic memoir of friendship, that taboo has an unintended cloaking effect. Societal taboos may be meant to protect us from harmful practices yet banishing from our thoughts the most unimaginable and unspeakable human acts only makes us blind to them happening in our midst.

By finding it so unthinkable, we make possible for taboo behavior to continue in our communities.

Name a taboo from your life.  When you hear it mentioned, what’s your reaction?

Guest Hosting #LitChat On Twitter On Topic Of Expatriate Literature

Anastasia Ashman hosts #LitChat on topic of expatriate literatureOn May 29 at EST 4pm, I will guest host #litchat, an open discussion series founded by a fellow author (@litchat), on the topic of expatriate literature. (#litchat is an hour-long open discussion on a topic, three times a week. You can follow it in Twitter search or on www.Tweetchat.com using the term “litchat”.)

I’ll be guiding the hour-long live discussion, soliciting opinions and offering my own based on this view:

Expatriate literature may be stocked in the travel section, but does it deserve a shelf of its own?

Living for extended periods in foreign locales, expatriates struggle to reestablish themselves and find meaningful access to their new home.

Travelers passing through often have the luxury to avoid the very issues of assimilation and identity that dominate the expat psyche.

We’ll talk about the unique depths this can bring to expat lit’s combination of outsider-view-from-the-inside and journey of self-realization.

See litchat.wordpress.com for more info.

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See the transcripts of my expat #litchat event here.

Talking To Expat Entrepreneurs About How Facebook & LinkedIn Don't Touch Twitter

My comments from a discussion thread at the private forum for expat entrepreneurs run by Karen Armstrong: You can find me on Facebook (which I'm using increasingly more as a place to share what I'm reading, thinking, what I'm doing, etc -- and created recently an Expat Harem page which still needs a lot more love), Linked-In (which I've begun to join in forum discussions here and there) and Twitter.

I'm most active on Twitter because it works so well for me as a writer, as an expat, as a trafficker of ideas.

 

With Twitter I'm back in school (taking business courses, marketing and media affairs), I'm at summer camp, I've rejoined the publishing industry, and making new filmmaker friends, and following peripheral interests through the lives of people more devoted, taking part in live discussions about literature, editing, branding, virtually attending conferences and events like yesterday's brown bag luncheon thrown by Random House on the topic of digital publishing.

The other two sites have their purposes but nothing touches Twitter.

'Twitter Is A Fad' Says This 2009 Businessweek Blog. Nope, I Reply.

Screen Shot 2013-12-28 at 6.39.14 PMMy comment I posted on this piece by Burt Helm:

Twitter may not be of use to everyone and -- since it truly opens up for you once you learn how you can best use it for your goals -- it may not be for people who aren't inclined to put in the effort, or for those who have no goals.

 

It's changed my life positively in many ways and I'm no faddish fool. I look forward to it continuing in this form or another.

How Use Twitter As An Author

As the coeditor of an anthology by foreign women in modern Turkey, and an American living abroad in Istanbul, Twitter has been an invaluable tool to bring me closer to the world I work in, and up to speed on my industry. I meet my readers (fellow expats, travelers, writers, and culturati among them) and my publishing world colleagues (agents, authors, editors, publishers) to discuss not only issues relevant to my first book, but also to the memoir I am currently writing, and the rapidly changing state of publishing. I’ve also connected with professionals who are giving me feedback on my work in progress.

Some examples of how I use Twitter as an author:

1) On May 29 at EST 4pm, I will guest host #litchat, an open discussion series founded by a fellow author (@litchat), on the topic of expatriate literature. (#litchat is an hour-long open discussion on a topic, three times a week. You can follow it in Twitter search or on www.Tweetchat.com using the term “litchat”.) I’ll be guiding the discussion, soliciting opinions and offering my own based on this view: Expatriate literature may be stocked in the travel section, but does it deserve a shelf of its own? Living for extended periods in foreign locales, expatriates struggle to reestablish themselves and find meaningful access to their new home. Travelers passing through often have the luxury to avoid the very issues of assimilation and identity that dominate the expat psyche. We’ll talk about the unique depths this can bring to expat lit’s combination of outsider-view-from-the-inside and journey of self-realization. See litchat.wordpress.com for more info.

2) #editorchat – I follow the illuminating transcripts at editorchat.wordpress.com since the chats take place at 5am Istanbul time and I haven’t managed to be awake during them yet!

3) Through Twitter I’ve also been invited to write a guest post for an editor’s blog, voted in the top 100 publishing blogs, about my experience as an author abroad trying to get up to speed with my traditional and digital publishing options and comparing today’s conditions with those I once reported on the e-publishing beat at Internet World trade magazine in 2000.

4) #queryfail and #queryday – these discussions (also found by Twitter search and Tweetchat) have been consistently good to refresh my own agent pitching techniques, especially as I prepare a package for an agent this month

5) A pop physicist I met on Twitter is currently vetting some popular science in the foreword of my current memoir, and I’ve discussed some of my emerging theories about online psychology (also in current memoir) with a group of psychologists championing it, including the founders of #mentalhealthcamp

I wholeheartedly recommend authors use Twitter in these ways and all the others you’ll likely be inspired to pursue.

Uncool: A Hitchhiking Tale

I don’t hitch-hike for recreation or travel and never will.

Perhaps this is a strange position for me, a child of the radical university town of Berkeley, growing up across the bay from hippie-yippie San Francisco in the ‘70s.

But my big city New York and Chicago parents were more paranoid than many of our patchouli-scented neighbors.

“Who knows what they’re on?” my father would ask, when we passed a row of hitch-hiker desperadoes. Men in Army surplus jackets, bell-bottoms, scraggly beards and aviator glasses. Bra-less long-haired girls with guitars. People with bandana-wearing dogs and kids.

“What a dummy, that woman standing out here at night,” my mother would agree.

These were unpopular views in a time and place when it seemed like everyone was hitch-hiking.

Freeway on-ramps were lined with young and old, thumbs out, brandishing cardboard signs inked in capital letters with their destination.

“EL-A.”

“Vacaville.”

“SOUTH”.

It was a competitive scene. Some people tried to be funny with their cardboards, using popular song lyrics like the Dionne Warwick hit, “Do you know the way to ♪SAN JOSE♪?”

As a car game, my middle-school sisters and I read the signs people held up on the University Avenue ramp to the Bayshore Freeway, a stretch of road said to be the busiest in the entire state of California.

Sitting in traffic along that stretch, we relished spotting the new driftwood sculptures that popped up overnight along the Emeryville mudflats. Illegal art made from refuse, by who knows who.

Hitch-hikers were just another strange thing to watch from the back of the bus.

Cars would slow to pick up spontaneous passengers.

“Right on, man,” the hitch-hiker would seem to say, ducking to grab a rucksack.

I could see the driver rewarded with the hitcher’s burst of gratitude in the front seat, the toss of the bag into the back. Two voyagers united, conserving resources and saving the planet, like-minded kin identifying each other. Jocularity.

We got the finger.

Sometimes curses. Especially when we passed hitch-hikers on hot dusty roads heading to the Sierras, or a rainy winter day at the intersection of Shattuck and University when hopefuls looked -- and probably smelled -- like wet dogs.

Our car made things worse.The family’s white 1969 Volkswagen bus sent the wrong message about who we were and how we lived.

It was always being broken into and ransacked for non-existent drugs. Like that parent-teacher night in 1974, parked outside my fourth grade classroom.

When hitch-hikers spied our VW they must have calculated we were good for the ride -- unlike late model American cars, probably driven by uptight Republicans. Our noisy, white elephant of a car telegraphed we weren’t squares. We were communal folk -- even the German name “Volks-wagen” declared it. My bearded father in a black turtleneck at the big, horizontal wheel would not have dispelled this impression.

Then when we putt-putted past like we didn’t even see them with their “Get me back to BESERKELEY!” sign, suddenly we were responsible for all that wasn’t right in the universe.

We weren’t cool because our family didn’t believe in the hitch-hiking compact. Not in this screwed up world.

The disastrous potential for a hitch-hiker seemed clear to me from a young age. How many stories did we hear about children being lured by a stranger with candy and then abducted in a car? Voluntarily getting into an unknown vehicle didn’t compute. How could these hitchers ignore the reports of bodies found in the hills? The Bay Area’s Zodiac Killer. The Hillside Strangler down in Los Angeles. Hitch-hiking was the stuff of serial killer lore, a campfire staple.

As I hit puberty, classmates without hitch-hiking hang-ups quickly drifted out of my life and toward wherever those risky rides took them.

One afternoon in eighth grade I was sitting in an over-warm social studies classroom at West Campus. Bored. Sure something more exciting was going on outside.

At that same moment, around the corner and half a mile down University, a 15-year old Las Vegas runaway stuck out her thumb.

I read about Mary Vincent in the San Francisco Chronicle later, and saw her on talk shows, fitted with prosthetic arms, warning kids not to hitch-hike.

Lawrence Singleton, the middle-aged driver of a blue American van was described by his neighbors as completely benign.

He was convicted of Vincent’s 1978 kidnap, rape and mutilation. After he amputated her forearms with a hatchet he left the girl for dead. She wandered naked all night holding up her bleeding stumps.

Talk about a campfire horror story. Thirty years later, the image is still burned into my brain. The thought too: if I were cooler that could have been me.

Reasons To Not Auto-Follow On Twitter

A LinkedIn group for photographers hosted a discussion thread about Twitter and invited us to share our handle. But to do so, we had to agree to follow everyone else in the thread. My response:

Very sorry you make this auto-follow stipulation. I've been using twitter for 9 months and it's changed my life. I believe there are many completely legitimate reasons not to auto-follow someone back on Twitter.

Among the reasons not to auto-follow: curating one's own timeline for particular communities and posting-behavior/topics/usage level, frequency and style.

 

Twitter is very much about customizing your experience for your own needs.

Even the most 'expert' users are split on the idea of auto-following out of politeness/courtesy. I routinely check in to see what followers I am not following are tweeting, especially newcomers and infrequent posters, who may change their output and interest me. If my followers engage with me I often follow them back as I get to know them. however I choose to follow people on Twitter for reasons other than that they are following me.

And I don't unfollow people because they don't choose to follow me -- that's very high school. If what they tweet is valuable to me, that is all I need from them.

#1 Thing To Do In Istanbul: Get Out On The Water

In Istanbul, get out on the water...for the freshness of the sea air, the unimaginably glassy blue surfaces, and to get the proper perspective on this ancient imperial capital.

The Bosphorus was the main drag for centuries and it’s still the best way to appreciate the sprawling, hilly city.

It’s also the only way to truly enjoy the Ottoman grandeur of the mansions built along its banks.

Bypass expensive (and noisy) group tour boats and surrender instead to local color and rhythm.

Try an ultra-cheap commuter ferry at one of many docks and spend a day lazily hopping from village to village, crisscrossing the Strait, and back again over steaming tea and sesame-covered bread in the shape of a life-preserver.

Ferries heading to the bustling Asian town of Kadikoy afford priceless views of Topkapi Palace, the Haghia Sophia, the Blue Mosque and the historic district.

Or take a quieter one-hour upper Bosphorus tour that embarks from the artisan street market and tea garden district of Ortakoy, and for less than five dollars drift past Mehmet the Conqueror’s 15th century fortress festooned with wisteria.

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These  tips appeared in Journeywoman newsletter and various other travel publications.

Asked To Contribute To A Hitchhiking Anthology

I heard from Tom and Simon Sykes, editors of No Such Thing As A Free Ride?, a London-published 2005 collection of hitch-hiking anecdotes, essays and observations written by contributors from all walks of life and from across the globe. That book was serialized in the London Times and named Travel Book of the Week by the Observer. They also released Canadian and Australian "Hitchers of Oz" editions and now are aiming to publish a version of the book aimed at a US audience.

"It is clear that hitch-hiking enabled a great number of people to travel great distances, expand their minds and interact with others. Although hitch-hiking is an international phenomenon, we feel its place in American culture is significant and should be recorded."

I replied:

Given the place and time I grew up, I’m afraid my view of hitchhiking may not match yours.

As a young woman in Berkeley California, I was very much aware of disastrous potential outcomes of hitchhiking and they far outweighed any urge to see the world without the resources to do so safely.

One that sticks in my mind are the details that came out during the conviction of Lawrence Singleton for his 1978 kidnapping, raping and hacking off the arms of a 15-year old hitchhiker named Mary Vincent.

She was picked up in my town, on the same street as my junior high school and only a few blocks from where I was sitting at that very hour in my 8th grade classroom being conservative and not running away from home or hitting the open road or just trusting fate and getting a lift from a stranger.

That notorious driver described by his neighbors as completely benign could have picked up me, if I had been dumb enough or desperate enough to try hitchhiking.

In this day and age – as in that one -- I can’t recommend it with a clear conscience.

They replied that the books don't intend to whitewash hitchhiking. So I wrote a piece for them: Uncool.

Applying To TED

Excerpt from my TEDGlobal 2009 application.

If a friend were to describe your accomplishments in up to three sentences what would he or she say?

"Her infectious enthusiasm and generosity in sharing the information she’s gathered convinces me I can do anything I really want to and I come away from our contacts with a buoyant new sense of myself and concrete ideas about my options going forward. With all her planning under the surface it seems like she can stop on a dime and still have five cents left, acting with an accuracy, facility and swiftness many people find baffling and chalk up to luck. Time and again she’s proved a feline ability to somehow land on her feet, where ever she is, no matter what kind of freefall of lost connections preceded her leap: friends, family, town, nation, job and industry -- language, even.”

What other achievements would you like to share?

Coined the concept “expat harem” by reappropriating the Muslim harem from erroneous Western stereotype and innuendo and drawing on an Eastern feminist continuum to give new meaning to lives of culturally aware global nomads struggling with issues of assimilation and identity. Created a worldwide harem of my expat peers through the publication of a #1 internationally bestselling and critically acclaimed collection of expatriate literature (Tales from the Expat Harem: Foreign Women in Modern Turkey), which also provides a positive new cultural context for my writing career and my conflicted expat mindset. Extending these central themes threaded through my first book -- the feminine voice, the struggle for identity and issues of personal dynamics small and large – into a most personal account, I am currently fulfilling my best friend’s deathbed wish I write her psychohistory by completing my forensic memoir of friendship with a multiple personality this year.

Expat Personal Branding For Career Success Abroad

In a two-part interview with Career by Choice, a blog run by expat career coach Megan Fitzgerald in Rome, this week I talk about the lessons of Expat Harem in forging my expat writing life. Answering questions about personal branding and career success abroad, I explain how writing about my life overseas and editing Expat Harem connected me to a worldwide band of peers, and gave my career and conflicted expat mindset a new cultural context. Part one Part two

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