On the GlobalNiche Bookshelf: Global Dexterity. Reinventing You. The Impact Equation.

Building your global niche is a 21st century skill. For work. For life.

International business, human resources, the future of life & work bestsellers and new releases from Harvard Biz Review are stacking up on our bookshelf at Pinterest.

Finding cultural effectiveness. Career reinvention through social media and your own content. Achieving impact via your platform and social networks. Adopting an entrepreneurial mindset.

These are all GlobalNiche mainstays going mainstream. Click here to tweet about this.

What does it mean to be a global worker and a true "citizen of the world" today? asks author Andy Molinsky in Global Dexterity: How to Adapt Your Behavior across Cultures without Losing Yourself in the Process.

It means you're able to adapt your behavior to conform to new cultural contexts without losing your authentic self.

"Not only is this difficult, it's a frightening prospect for most people and something completely outside their comfort zone," writes Molinsky, an associate professor at Brandeis University's International Business School. He straddles the psychology and organizational behavior departments.

"What's needed now," he claims, "is a critical new skill: global dexterity."

Global dexterity? It's what we do here.

This critical 21st century skill is exactly what we've been pioneering at GlobalNiche and expat+HAREM group blog and the Expat Harem book before it, as we have striven to make the limbo state and high cultural stakes of expatriate life a strength instead of a weakness. How to navigate your surroundings in culturally appropriate ways while also honoring the truth of who you are. That's global dexterity. Thanks to Andy Molinsky for the term. Back in 2009 we couldn't find many people talking about it at all, so we came up with our own term: "psychic location independence."

At GlobalNiche we've also come to the conclusion that this approach to a dexterous, global version of yourself  increasingly works for people everywhere, whether you're 'actually global' or not. You might be in your own backyard and need to navigate your surroundings in culturally appropriate ways and have your own, distinct truth to honor. You might not have a passport but can still benefit from becoming a global operative. In fact, being globally aware and globally functional has become an imperative in today's connected world.

"Use social media to build connections" is one of seven steps branding expert Dorrie Clark lays out to reinvent yourself professionally, in  Reinventing You: Define Your Brand, Imagine Your Future.

"Show what you know" is another of Clark's steps. She suggests you use your content to show the world what you care about.

Again, sound familiar? It should. Using your content online and off to get where you want to go is exactly how you build your global niche. It's why the GlobalNiche program at its heart is about content strategy. Your content and your online presence is the key to creating your place in the world.

Another title that is particularly useful for people building online presences to reach offline goals is The Impact Equation: Are You Making Things Happen or Just Making Noise? by Chris Brogan and Julien Smith. Brogan is a favorite of ours here at GlobalNiche.

The impact of our ideas is a function of the quality and similarity-but-distinction of the ideas, our ability to reach people and be understood, trusted, appreciated.

Impact = C x (R + E + A + T + E)

C = Contrast – having ideas similar to existing ideas, yet different enough to stand out

R = Reach – connecting higher numbers of people to your idea

E = Exposure – knowing how frequently you connect people to your ideas

A = Articulation – ensuring that your ideas are easily understood

T = Trust – based on multiple factors, such as credibility and reliability

E = Echo – connecting to your community in a personal way

As Brogan explained in a fun January 2013 Twitter chat I participated in (#BizBookChat a virtual book club for the actionable books community by Alyssa Burkus), "The Impact Equation is about how to turn your goals into ideas, & how to get those ideas absorbed and actions taken."

To build a platform, Brogan says, "you've got to find how you can best tell the story and where you can reach the people you hope to reach."

"Start where you are," Brogan counseled us in the fast-moving Twitter chat. "But look for growth. Move your chips to the next table. Strive to reach who you need to reach."

Start where you are. That's your only option. Oh, and start your evolution today.

Evolution is exactly what Nacie Carson urges in The Finch Effect: The Five Strategies to Adapt and Thrive in Your Working Life. The Portfolio.com blogger and founder of TheLifeUncommon.net says it's your best bet in today's high-pressure economy.

Traditional career strategies spell professional extinction, she writes, but the fluid new gig economy offers tremendous potential for anyone willing to adapt.

Carson's five steps for ensuring professional success are all part of the GlobalNiche mindset and skill set.

• Adopt a gig mindset.
• Identify your value.
• Cultivate your skills.
• Nurture your social network.
• Harness your entrepreneurial energy.

Among many other notable titles on the shelf about navigating the world today is Mitch Joel's Ctrl Alt Delete: Reboot Your Business. Reboot Your Life. Your Future Depends On It. I hope to tackle this sometime soon. In the meantime, tell us which books on your shelf echo these 21st century life and work skills.

Talking To Expat Entrepreneurs About How Facebook & LinkedIn Don't Touch Twitter

My comments from a discussion thread at the private forum for expat entrepreneurs run by Karen Armstrong: You can find me on Facebook (which I'm using increasingly more as a place to share what I'm reading, thinking, what I'm doing, etc -- and created recently an Expat Harem page which still needs a lot more love), Linked-In (which I've begun to join in forum discussions here and there) and Twitter.

I'm most active on Twitter because it works so well for me as a writer, as an expat, as a trafficker of ideas.

With Twitter I'm back in school (taking business courses, marketing and media affairs), I'm at summer camp, I've rejoined the publishing industry, and making new filmmaker friends, and following peripheral interests through the lives of people more devoted, taking part in live discussions about literature, editing, branding, virtually attending conferences and events like yesterday's brown bag luncheon thrown by Random House on the topic of digital publishing.

The other two sites have their purposes but nothing touches Twitter.

Expat Harem Are Women On The Brink

This is the introduction Jennifer Gokmen and I wrote to the book Tales From The Expat Harem:

If there were ever a place tailor-made to play host to wanderers, travelers and those pursuing lives outside their original territory, surely Turkey is that place.

The perpetual evolution that travel and cultural assimilation visits upon the foreign born women in this collection echoes the continuous transformation that envelops the entire country. Threshold to worlds East or West depending on which way one faces, Turkey is itself a unique metaphor for transition.

Forming a geographic bridge between the continents of Europe and Asia and a philosophical link between the spheres of Occident and Orient, Turkey is neither one of the places it connects.  Similarly, foreign women on Turkish soil are neither what nor who they used to be, yet not fully transformed by their brush with Turkey.

Our Expat Harem women are on the brink of reclassifying themselves, challenged to redefine their lives, to rethink their definitions of spirituality, femininity, sensuality and self.

Aligned in their ever-shifting contexts, both Turkey and the expatriate share a bond of constant metamorphosis.

• Delirious with influenza, a friendless Australian realizes the value of misafır perverlik, traditional Turkish hospitality, when she’s rescued from her freezing rental by unknown Anatolian neighbors bearing food and medicinal tea;
• a pregnant and introverted Irishwoman faces the challenge of finding her place in a large Black Sea family;
• a Peace Corps volunteer in remote Eastern Turkey realizes how the taboos of her own culture color her perceptions;
• and a liberated New York single questions the gallant rules of engagement on the İstanbul dating scene, wondering whether being treated like a lady makes her less a feminist.

These are among the Tales from the Expat Harem.

The titillating, anachronistic title acknowledges erroneous yet prevalent Western stereotypes about Asia Minor and the entire Muslim world, while also declaring that our storytellers share a common bond with the denizens of a traditional Turkish harem.

Much like the imported brides of the Seraglio, İstanbul’s 15th century palatial seat of the Ottoman sultanate, our writers are inextricably wedded to Turkish culture, embedded in it even, yet alien nonetheless.

If a harem in the time of the sultans was once a confined community of women, a setting steeped in the feminine culture of its era, then today’s Expat Harem surely follows in its tradition.

Virtual and mainly of mindset, this newly coined community of expatriate women in modern Turkey is conjured by the shared circumstance of being foreign-born and female in a land laced with the history of the harem.

Like the insular life in the Seraglio of the past, foreign women in today’s Turkey can often be a self-restricting and isolated coterie, newcomers initially limited in independence and social interaction due to language barriers, cultural naiveté and a resilient ethnocentricity.

Tales from the Expat Harem reveal both the personal cultural prison of the initiate and the peer-filled refuge of those assimilated. Our harem is a source of foreign female wisdom, a metaphoric primer for novices and a refresher for old hands.

Our Scheherazades, modern day counterparts of that historic Arabian Nights harem storyteller, are drawn from a worldwide diaspora of women whose lives have been touched by Turkey.

When our call for stories reached them, through networks of people and computers, we heard from a multitude of expatriates in West Africa to Southeast Asia to America’s Pacific Northwest, all desiring to be counted and to recount their sagas.

By telephone from her home in California, an artist who studied illuminated manuscripts at Topkapı Sarayı was the first to admit the precious affliction she shares with many of her harem sisters: “Turkey gets into your blood. I’m an addict now.”

As editors we faced the delicate task of administrating the Expat Harem’s stories, preparing womanly wisdom for safekeeping. Managing the epic enterprise with its ticklish spectrum of cultural appreciation and feminine self-portraiture, our nights were nearly as sleepless as Scheherazade’s!

For months we coaxed diplomats, nurses, chefs and others to explore and express their truths about Turkey in a culturally balanced tone.

Some were not professional writers and some were unable to commit their tale to paper. Of those who did, only a fraction survived the editing process.

But affinities emerged as each woman divulged her internal journey and lasting emotional connection to the place and its people. Systems engineers and hoteliers, missionaries and clothing producers, artists, journalists, and others each share a fierce affection for Turkey.

Revealing what Turkish culture has yielded in their lives, they unspool humorous and poignant adventures at weddings in cobbled Byzantine streets, Ottoman bathhouses, and boisterous bazaars along the Silk Road.

In atmospheric travelogue through a countryside still echoing the old ways, through Giresun and Göreme, they transport us on emotional journeys of assimilation into friendship, neighborhood, wifehood, and motherhood.

Modern women in the real world, they take us along on their quests for national identity, business ownership and property possession.

What follows is a literary version of the virtual, modern harem’s never-ending gathering of women, day melting into night, a relaxed feast while delighting in each other’s diverse company, acting out scenes of cultural contrast and discovery.

The country rewards seekers, a veiled place insisting on being uncovered. In the process of discovering Turkey, contemporary women of the Expat Harem unmask themselves as well.

In narratives illuminating imperfect human nature and the fullest possible cultural embrace, our Scheherazades wrestle urges to overly-exoticize the unfamiliar and strive to balance self preservation with the fresh expectations placed on them by Turkish culture.

Some delve deep into interiors of country and psyche, like the shy teacher transformed by the full frontal impact of a 13th century Central Anatolian hamam.

Others teeter on the comic edge of a cultural divide, like the archaeologist who sparks hilarity in the trenches at Troy before language skills supplant vaudevillian pantomime.

In attempting to reconcile countless episodes of unconditional native generosity, expatriate women of the harem learn to accept a new emotional calculus.

A mid-life dancer mincing her way through the alleys of İstanbul’s bohemian Beyoğlu district to the beat of a darbuka drum invokes Mary Oliver’s poetic revelation, one that echoes in every tale from the Expat Harem:

“I was a bride married to amazement."