Selfish: Capture, collaborate on, and share life's important moments http://t.co/0o2jSACIz4
— BetaList (@BetaList) April 6, 2014
BetaList highlights to thousands of tech-savvy early adopters the upcoming mobile app of Selfish.me, the San Francisco startup I joined in February as director of community...
So fun strategizing and executing the global rollout of this new social networking collaboration tool! Sign up now to be notified as soon as it hits the app store.
And when it’s time to update your avatar, your bio, your tagline, or whenever you’ve got fresh content to share, it'll help you remember where you are online too.
That's from my latest guest post for Jan Gordon's Curatti: Editors of Chaos.
I've been writing a weekly series about online community building at this social business and marketing site. My posts so far have incorporated aspects of curation, storytelling, branding, content strategy, conversation, cocreation, collaboration, discoverability, persuasion, fascination and engagement -- as well as highlighting best practices and work of industry figures I see leading the way.
Along with Tara Agacayak, I run a private mastermind group on LinkedIn (it’s a subgroup of my Creative Entrepreneurs & Social Media group). Each participant presents her case study and we brainstorm next steps.
It reminds me of the Dialogue2010 conversations at expat+HAREM, and how our hybrid lives have *forced* us to be flexible about a lot of things most people (especially those in our 'previous lives' if we're living outside an original territory, including who we might have been if we'd stayed) never have to deal with. Our careers are one of those things.
The beauty of being a creative entrepreneur is that it's about making your work type and situation *work* for you, for the type of person you are, and the situation you face. That doesn't mean it's the easy choice, just that it has the potential to deliver much more than you'd get from being a cog in someone else's wheel.
Was also reading something the other day about how we don't have to make money from everything we produce (or even try to sell it), but if we're professionals (or hope to be, that is, we're not hobbyists) earning money for the work we do has to be part of the larger plan.
Writing ONLY for money is different type of job than writing what you want to write and receiving money for it (at some point on the journey, and maybe not directly from the writing).
If your interest in writing dries up at the prospect of selling it, or using it as a form of content marketing for something else you are selling, then maybe writing is not an element of the paid work you want to do. Maybe you want to keep it as a hobby, a special form of personal entertainment. That's totally cool.
But, if you harbor dreams of yourself as a professional writer, not only sharing your work widely but receiving compensation for it, then writing *is* an element of your livelihood. If you have the luxury of already knowing what you want to write, and already writing what you want to write (some people are on a different carousel, where they write for hire and dream of writing from the heart and soul and it's hard to get off that carousel for the very reason that it's scary and hard) then all you have to add to your picture is a strategy to get paid for what you are already doing.
In fact, writing might suddenly seem like a different kind of work if all that stuff I just mentioned has previously been kept separate from your writing life. I think this might be the key for you. Integrating in small steps your writing as professional, and with a market purpose.
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Another participant of the group points out this post by creativity coach Mark McGuinness of Lateral Action that if Shakespeare had continued to work for a patron, we may never have heard of him.
I've been thinking about magic. Even though I'm reading Joan Didion's memoir about the year she spent pondering how she might reverse her husband's death, I don't mean that kind of magical thinking. I'm talking about context. In its absence, everything looks like magic.
David Blaine's TEDmed talk reveals the training behind the endurance-artist's 17-minute feat of holding his breath under water. Rather than illusion, the magician relied on science.
"What will the world be like 10 years from now?" asks the Shorty Awards interview. (I'm honored to be nominated this month for producing 140-character, real-time content). I'm afraid the future will be divided: digital-natives and -immigrants on one side, and the other group mystified how we know so much.
In much the same way, philosophies about our interconnectedness will also separate us. Look at the release of marketer Seth "tribes" Godin's latest book this week. Among a hundred positive ones by people who donated to the Acumen Fund to receive advance copies -- resulting in a slew of pre-publication synergistic footwork among his tribe -- the top critical review on Linchpin's first day suggests the Amazon review system has been gamed. Shillery.
When we invest in research and relationships (with online alliances even more invisible to the unconnected) our results can seem like wizardry.
Which magic are you going to think more about?
My comments from a discussion thread at the private forum for expat entrepreneurs run by Karen Armstrong: You can find me on Facebook (which I'm using increasingly more as a place to share what I'm reading, thinking, what I'm doing, etc -- and created recently an Expat Harem page which still needs a lot more love), Linked-In (which I've begun to join in forum discussions here and there) and Twitter.
With Twitter I'm back in school (taking business courses, marketing and media affairs), I'm at summer camp, I've rejoined the publishing industry, and making new filmmaker friends, and following peripheral interests through the lives of people more devoted, taking part in live discussions about literature, editing, branding, virtually attending conferences and events like yesterday's brown bag luncheon thrown by Random House on the topic of digital publishing.
The other two sites have their purposes but nothing touches Twitter.
