For women's history month, #filmherstory, an addictive Twitter meme calls attention to female protagonists and their forgotten, ignored, or too-little-known stories we want to see on screen...there are so so many. As far as I can tell, it was started by curator Shaula Evans, film producer Cat Cooper, Miriam Bale and film and TV creator Lexi Alexander. Read through the suggestions in that Twitter hashtag, and suggest your own.

#FilmHerStory is a rallying cry for movies about women who shaped history http://t.co/lorDSUWCDX
— Daily Dot Newswire (@DailyDotWire) March 4, 2015

I suggested a story I've been researching and developing for years, the story of a forgotten monumental woman builder who built the most decorated building in the world and spurred an emperor to best her.

An emperor built #HaghiaSophia -- to beat what this 6th c. woman built down the street. http://t.co/tam0mhdXAi #filmherstory — Anastasia Ashman (@AnastasiaAshman) March 4, 2015

Here's where you can see more about my Byzantine princess story in development, including images and research:

ANICIA JULIANA & her church of Polyeuktos

Click on this mind map to get the scope of the story:

I’ve been developing this story since, while creating an Istanbul walking tour for National Geographic Traveler, I literally tripped over the foundations of a social grudge between my superlative-but-forgotten 6th century princess and Justinian — which prompted the Holy Roman Emperor to build his world-beating Haghia Sophia Church a mile down the road. The man needed to best Anicia Juliana. See my Pinterest board about it.

I’m thrilled and honored to be featured in Chantal Panozzo’s WriterAbroad Interview series. I join fellow expat and global nomad authors like the Petite Anglaise blogger-turned-novelist Catherine Sanderson in France, veteran Expat Expert publisher Robin Pascoe, Maya “The New Global Student” Frost in Argentina, and Alan Paul, the Wall Street Journal’s “The Expat Life” columnist based in China.

Chantal -- an American in Switzerland whose work appears in the dysfunctional family Chicken Soup anthology with mine, and guest posted last week at expat+HAREM -- asks how to connect with a reading audience back home.

People abroad have often turned to writing when other options for work and expression were limited. It tends to be a location-independent profession and pasttime.

Technology and the times now challenge writers abroad to do even more. Because we can -- and must.

We can make a bigger impact with less resources. Plus, even if we wanted to, we can no longer depend solely on high-barrier traditional routes. We writers are now producers, and directors, and engineers of content.

Revisiting all my entertainment projects in development in this new light: how to tell the story of my ‘forensic memoir of friendship’ using 25-years worth of multimedia? Can two screenplays be converted to enhanced ebooks for iPhone or iPad -- incorporating images, sound, text -- or even made into a graphic novel?

What recent technology or industry shift both lowers a traditional barrier for you and raises your game?