Wall Street Journal

Old School, Part 2: Would You Take Twitter Advice From Someone Who's Never Tweeted?

I wouldn't. Let's get more specific.

How about taking advice on social media best practices -- for something serious with high stakes, like looking for a job, becoming visible to recruiters, re-entering the job market after a hiatus or otherwise attempting a career change  -- from an advisor whose Twitter account is empty?

Existent in name only.

How about if it's April 2013?

How about if it's the same month that the Wall Street Journal declared The New Resume: It's 140 Characters and @WSJCareers held a Twitter chat about using social media to get a job, concluding it's all about LinkedIn & Twitter & a digital footprint that shows your best stuff.

(I participated in this blisteringly-paced and totally on-target chat that featured The Daily Muse's Kate Minshew. Some of the tweets are Storified here. Search for more with the hashtag #WSJchat.)

No?

How about expecting to get guidance on the latest advances in online career development at an event conducted by someone who thinks LinkedIn is exclusively for connecting with people you already know well rather than people you are loosely associated with professionally and want to grow closer to? Someone whose policy lets connection requests go unanswered while, creepily, LinkedIn alerts us she's reviewed our info-rich profile and decided that's a no.

Again, I wouldn't. Yet these are things I have witnessed and experienced recently.

Do you see where I'm going? This is not helpful. This is place holding.

Old-school is occupying the space where actionable help is supposed to go.

 

And, if you find yourself thinking you don't need up-to-the-minute Twitter advice from a career advisor -- you're wrong.

Interview With Writer Abroad On Lowering Barriers And Raising Your Game

I’m thrilled and honored to be featured in Chantal Panozzo’s WriterAbroad Interview series. I join fellow expat and global nomad authors like the Petite Anglaise blogger-turned-novelist Catherine Sanderson in France, veteran Expat Expert publisher Robin Pascoe, Maya “The New Global Student” Frost in Argentina, and Alan Paul, the Wall Street Journal’s “The Expat Life” columnist based in China.

Chantal -- an American in Switzerland whose work appears in the dysfunctional family Chicken Soup anthology with mine, and guest posted last week at expat+HAREM -- asks how to connect with a reading audience back home.

People abroad have often turned to writing when other options for work and expression were limited. It tends to be a location-independent profession and pasttime.

Technology and the times now challenge writers abroad to do even more. Because we can -- and must.

We can make a bigger impact with less resources. Plus, even if we wanted to, we can no longer depend solely on high-barrier traditional routes.  We writers are now producers, and directors, and engineers of content.

Revisiting all my entertainment projects in development in this new light: how to tell the story of my ‘forensic memoir of friendship’ using 25-years worth of multimedia? Can two screenplays be converted to enhanced ebooks for iPhone or iPad -- incorporating images, sound, text -- or even made into a graphic novel?

What recent technology or industry shift both lowers a traditional barrier for you and raises your game?

Talking To AJ Keen About Facebook Ruining Friendships

My replies to Web 2.0 critic Andrew Keen at FB (facebook ruins friendships on WSJ, becomes ghosttown in NYT) AUG 31 09: bleh, and bleh to the one about FB becoming a ghost town. i kinda like FB these days, and that's after a year on Twitter, which i prefer. different crowd, different use. funny to hear ppl complain that misusing the tech makes it harmful, or a waste of time -- two of the noisiest arguments against FB and Twitter, respectively.

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