call for submissions

Storytellers with iPhones! Want to be a pioneer?

  s_03-3 I'm heading community and content in a new semi-private social networking tool for visual storytelling called Selfish. We're about to launch our beta iOS apps in Russia and Canada, then in the US and Android a little later, along with our desktop component. Big, global stuff for socially savvy publishers!

We're looking for digital media pioneers and adventurous, creative people to work with us as we get the kinks out of the technology, and gear up for a public  launch. We're a work-in-progress, and we want to pay you for your own works-in-progress.

I'm pleased to announce the Selfish Content Creator Program.

Our paid content creator program runs from August 25-October 25. Those dates may shift, so check it out no matter what. (See full details here, and get the link to download the app on your iPhone. You'll need iOS7 or iOS8 to use the app.)

You'll be using the tool to fashion a short, connected string of posts with photos and brief text on a topic, either alone or with other co-authors.

  • You can do this with your friends or family, in fact, we prefer you do it with other people since this is a collaborative tool.
  • Use informal language and conversational tone.
  • Ideal topics are a weekend road trip; details about your obsessions, hobbies or work or sports you play; attending a special occasion, an event like a concert or a wedding or a conference; events in an interest group you belong to.
  • You can repurpose previously published material.
  • You can use personal content.

s_02The aim of this program for North American/English language creative communities is to attract diverse content into the app that reflects best uses of the tool.

I'd like to encourage creatives and bloggers out there to try the app and test its capabilities in telling a story that comes naturally to you, including stories that are happening in your life right now. Capturing real time, ongoing adventures is something this app supports well.

Also, we're going to pay you to start a story but you can always continue your Selfish stories after you reach the pay mark. We imagine you'll want to as you realize the value you've created and the new ways you discover to share your life and interests with the people who matter to you.

What are we looking for? The basics of a winning Selfish story in this program are:

  • has a good cover/title/story description,
  • with coauthors,
  • a minimum of 10 moments total of photos and text,
  • uses hashtags and geotags and @ mentions,
  • with active comments, and
  • social shares throughout the creation process.

s_01Presenting our content creator program in a Selfish story (see it here) is an experiment to show you how a Selfish story works, how it's an ongoing thread of small moments, how it's different than a blog post, how it's different than a tweet or a Facebook status or a Facebook photo album, or a Pinterest pin, or an Instagram photo.

As my fellow content creator, communicator, publisher, writer, transmedia storyteller, as my fellow friend, family member, and member of other interest communities, I think you might want to know about this new mobile, social, online option for connecting what you care about with how and what you capture and share, and with whom you choose to share it. If you have questions, just ask me. I'd love to try to answer.

This story about the program shows you sample screens of existing content and creation flows while you consider the guidelines. It also demonstrates what kind of Selfish powers you can expect to harness for your own storytelling goals:

  • a Selfish story has one link and is shareable everywhere;
  • a Selfish story can have multiple coauthors, all posting into the ongoing story;
  • a Selfish story is made of multiple moments of photos and text all linked together;
  • a Selfish story is created in the mobile app and displayed on the web;
  • a Selfish story on the web is displayed in animated moments with rotating images and blocks of text;
  • a Selfish story is interactive, with comments and likes on each moment;
  • if you’re a registered user, you can subscribe to any public Selfish story so you get all the moments in your feed;
  • and, Selfish is free;
  • there's more, because Selfish is all about user controls, but hey this post has to end some time.

s_04-4Check out the content creator program, or send this link to someone you know who might like to try it: http://bit.ly/SelfishApp

Call For Submissions For The Expat Harem Collection

Calling all women writers who have lived, worked, studied or traveled in Turkey for at least a year: Contribute your voice to a new anthology of foreign women’s reflections on modern Turkey. Deadline: August 1, 2004 TALES FROM THE EXPAT HAREM: Foreign Women in Modern Turkey, edited by Anastasia M. Ashman and Jennifer Eaton Gokmen

The book aims to be a personal, entertaining read for both students and scholars of Turkey as well as armchair cultural travelers, fans of women’s literature, and expatriates of all stripes.

During Ottoman rule, the word 'harem' (from the word ‘haram’, meaning sacred and forbidden) referred to both the population as well as the living quarters of the foreign-born brides and servants of the Turkish sultan. An intimate and confined community of women, it was a place for sharing womanly wisdom and cultivating cultural tradition.

In this non-fiction anthology we invoke a modern day Turkish harem with its chorus of voices and shared female experience -- in the sense that the expatriate population is naturally cohesive and isolated due to the process of assimilation. Newcomers learning to maneuver within a new set of variables and cultural boundaries necessarily experience a limitation of freedom: language barriers act as an obstacle to travel and independence, cultural naivete hinders social interaction, and ethnocentric rigidity impedes dynamic experience.

Taking the reader on humorous and poignant journeys of cultural contrast and discovery, our contributors break free of the confines of the harem, breaching the confined world of the unassimilated to touch the true heart of Turkey. Whether newly arrived or well-established expatriates, or Turks repatriating to their homeland after a long absence, all our contributors are foreign brides of modern Turkey: wedded to its culture, embedded in it even, and yet forever outsiders.

We are looking for high-quality personal essays, insightful flash non-fiction and colorful travelogue--in English, 2,500 words or less.  Unpublished work is preferred, although well-crafted previously published work will be considered.

Further information and to submit work please visit the rudimentary site: www.expatharem.com

Inquiries info@expatharem.com

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CHAPTERS:

  • LAST STOP ON THE ORIENT EXPRESS: The last city in Europe and the first city in Asia, arriving in continent-straddling Istanbul, Turkey naturally commits a person to a state of permanent limbo, an ever-shifting flux between West and East. An expatriate can tie herself into existential knots while transitioning into a culture that is itself a metaphor for transition.
  • PEDDLER IN THE BAZAAR: From the routine of the weekly open-air vegetable market to the entrancing delights of the Grand Bazaar, Turkey’s brisk street life includes haggling with street peddlers and shop keepers, narrow escapes from aggressive vendors, and sometimes deep friendships established over cups of tea. What makes the difference in still being quoted ‘tourist prices’ or becoming a vendor’s prized foreign customer? Other shopping issues.
  • DIVANS, HOOKAHS & COFFEE HOUSES:  Turks are a communal people, opting for interaction and conversation whenever possible, each demographic migrating towards their particular haunts: young people play backgammon in cafes, puffing on fruit-flavored tobacco from huge hookahs, while older men gather on street corners, under shady trees, or in smoky kahvehaneler to play cards and sip from tulip glasses.  In the Ottoman court the divan was the public audience room, traditionally a gathering place of men, but here refers to the social pursuits and behaviors of Turkish men – from football fanaticism and drinking with the lads to their particular blend of machismo tempered by acute sentimentality. How do Turks accommodate social expectations of foreign women, and how do expats adjust to the sometimes exhausting, invasive communal spirit?
  • KETTLES & CAULDRONS: Culinary effort equals family devotion and a freshly made dessert signals hospitality for the constant flow of “unexpected” guests. Any self-respecting cook lovingly creates time-consuming meals from scratch, efforts balanced by the lingering pleasure of dinners that last half the night.  Adventures in the kitchen, memorable meals, being a force-fed guest.
  • SALVES & SOOTHSAYERS: Since the early days of the Selcuk settlers, Turks have clung to their shamanistic roots, while the folk art of natural healing has been passed down through the generations. Clove for a toothache, licorice root for bronchial complaints, fennel tea as an herbal birth control method. Doorways hung with blue glass talismans for protection, fortunes divined from coffee grounds, supplications made to Telli Baba. Do old wives’ tales—like infertility from walking barefoot on a cold marble floor or jaundice caused by failure to urinate immediately after a scare—apply only to those born into the Turkish culture, or should everyone on Turkish soil heed their witchy wisdom?
  • SHIMMY AT THE DRUMBEAT: When a dish hits a restaurant floor, Turkish women will take it as an opening drum beat and get up and dance, so the joke goes. Traditional folkloric music and dance is in the blood, widely learned and performed by young and old, male and female, in formal costumed performances or just around the living room. An innate part of the Turkish psyche, song and dance can erupt at any moment and overwhelm even the most intrepid expatriate
  • HENNA'D HANDS:  Courting rituals both customary and modified to accommodate foreign brides and clashing cultures. From traditional village weddings to big city civil services to high society receptions covered by voracious paparazzi, weddings are colorful events in Turkey.  The traditions both high and low, ancient and modern, whether simply witnessed, or lived.
  • HAMAM:  The valide sultana, the ruler’s mother, once inspected prospective brides for her noble son in the hamam, the display venue for female comeliness.  It was also a place where women whiled away the hours in each others’ company. The traditional Turkish sauna and scrub remains a complex tradition of beauty practice, female retreat and even matriarchal power base, but our hamam doubles as a metaphor for acceptance into the Turkish female culture, and the value of female friendship.
  • PRECIOUS DARLINGS: Worth their weight in gold, children are revered in Turkish society. All segments of the population expect a young couple to procreate and then join together in raising the children, often redefining boundaries for expat women.  Elaborate circumcision customs.  Typical overindulgence of offspring balanced by honoring the homemaker and priority placed on family.
  • KEREVANSERAY: Traveling across the country, one witnesses places that still echo a way of life centuries old. Hospitality on the homesteads, natural wonders, historical ruins. Expat adventures across the expanse of the Turkish coasts and heartland.

 

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TIPS FOR WRITERS

We prefer personal essays with evocative language and dialogue, detailed description that sets the scene and sketches the people. You may have heard this type of writing referred to as creative or literary nonfiction – facts conveyed with the devices of a novelist.

TELL US A TALE, A MOMENT WHEN YOUR SENSE OF SELF WAS CHALLENGED, WHEN YOU LEARNED A TRUTH ABOUT TURKISH CULTURE.

SET THE STAGE – TELL US WHO YOU ARE, WHERE YOU ARE,  HOW YOU CAME TO BE THERE AND THEN TELL US WHAT HAPPENED.

BE SPECIFIC. FOCUS ON YOUR THEME WITH EVERY PARAGRAPH MOVING FORWARD TO YOUR DESTINATION, YOUR POINT. DESCRIBE DETAILS THAT YOU WANT US TO EXPERIENCE.   GIVE US A SENSE OF PLACE,  A SKETCH OF A PERSON. SIGHTS, SOUNDS, SMELLS.

BE LIKEABLE. REGARDLESS OF TOPIC, WIN US OVER WITH YOUR HUMANITY, YOUR HUMOR, YOUR GOOD INTENTIONS. REVEAL YOUR MOTIVATIONS, AND BE POSITIVE.

BE RELEVANT.  HOW DOES YOUR STORY FIT INTO THE BOOK? WHICH ASPECT OF TURKISH CULTURE, OR BEING A FOREIGN WOMAN IN TURKEY, DOES IT ILLUMINATE?

POSSIBLE BREAKING POINTS/BOUNDARIES/AREAS OF ILLUMINATION

  •  Code of Ethics
  • Morals
  • Independence
  • Common sense/folk wisdom
  • Expectations
  • Culture/Social conditioning
  • Fashion/trend-setting
  • Privacy
  • Modesty
  • Language skills
  • Femininity
  • Wifely duties/skills
  • Motherly duties/skills
  • Domestic skills (cooking, cleaning, shopping)
  • Mother-in-law

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TIPS FOR NONWRITERS

TELL US A TALE, A MOMENT WHEN YOUR SENSE OF SELF WAS CHALLENGED, WHEN YOU LEARNED A TRUTH ABOUT TURKISH CULTURE.

SET THE STAGE – TELL US WHO YOU ARE, WHERE YOU ARE, HOW YOU CAME TO BE THERE AND THEN TELL US WHAT HAPPENED.

BE SPECIFIC. FOCUS ON YOUR THEME WITH EVERY PARAGRAPH MOVING FORWARD TO YOUR DESTINATION, YOUR POINT. DESCRIBE DETAILS THAT YOU WANT US TO EXPERIENCE. GIVE US A SENSE OF PLACE, A SKETCH OF A PERSON. SIGHTS, SOUNDS, SMELLS.

BE LIKEABLE. REGARDLESS OF TOPIC, WIN US OVER WITH YOUR HUMANITY, YOUR HUMOR, YOUR GOOD INTENTIONS. REVEAL YOUR MOTIVATIONS, AND BE POSITIVE.

BE RELEVANT. HOW DOES YOUR STORY FIT INTO THE BOOK? WHICH ASPECT OF TURKISH CULTURE, OR BEING A FOREIGN WOMAN IN TURKEY, DOES IT ILLUMINATE?

 

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