I heard from Yasmine Ibrahim, a fellow on the museum’s next online exhibition which launches in 2013 and will explore Muslim Women’s Art & Voices.

The International Museum of Women asks to highlight my image of a door from the Topkapi Palace Harem that I've been using as my profile background all around the web for several years. For me it signifies the liminal state of being an expat woman in Turkey, a multiculturalist, a hybrid soul.

I took the original photograph in 2004 when my coeditor and I toured the harem before embarking on our creation of the Expat Harem book. Then I manipulated the image in Photoshop.

I entered it into a gallery exhibition of Istanbul photographs by members of the International Women of Istanbul and American Women of Istanbul photo club in 2005 and it was the first image of the show to sell. Even though I'm not a Muslim woman so technically may not fit the specs for this exhibit, Ibrahim writes, "Your image was selected because it is related to Islamic art. Personally it is my favorite image because it is abstracted and joyful. As a Muslim, I felt that it symbolizes many aspects of Islamic culture."

The image seems a cousin to a photo of a 19th century mansion I took in Penang, Malaysia in 1997 and also manipulated in Photoshop.

I was honored to be included in a group of Cross-cultural and International Bloggers to Watch in 2010. As the guest curator in a review series at SheWrites, I'm pleased to note a few fellow expat bloggers. I'm drawn to the subject matter of these writers (and many others who I hope to highlight in the future). Posts seem compelled by the daily negotiation of expat/immigrant/exile identity. Shaped by unfamiliar environments. Inspired by moments when belief systems are challenged or uprooted.

You'll recognize fiction-writer Catherine Yigit as a contributor to the Expat Harem anthology and the group blog expat+HAREM. In Skaian Gates, the Dublin native writes with a wry sensibility about “living between the lines” of culture and language on the Straits of the Dardanelles. She takes us through the gauntlet of getting a Turkish driving license. Although prepared for the exam, she discovers she'll have no control over the vehicle since her examiner has a lead-foot on the dual-control pedals! Even if we learn the rules and practice the gears in our lives abroad, we often sense we're not in the driver's seat and we have to be okay with that.

Professionally-trained artist Rose Deniz lives in an industrial town near the Sea of Marmara, a body of water named for its marble-like surface. Her spare blog reflects deep ideas and personal geographies, like the trouble with being the kind of person who visualizes color, numbers and forms in the midst of a chaotic Turkish family setting; and finding the art in life outside the studio. Her real-time, online 2010 discussion series in which "art is dialogue and the studio is you” will be hosted at expat+HAREM.

Petya Kirilova-Grady, a Bulgarian who lives in Tennessee with her American husband, writes about bi-cultural misunderstandings and shares her embarrassment over a recent gender role snafu. The only way to explain why the progressive young woman “couldn’t be bothered to do a ‘typically male’ task” in the domestic sphere is because Bulgarians are traditionalists at home. Petya writes of the realization “I can’t remember the last time I felt as Bulgarian.”

Expat bloggers flourish when we face a fresh appreciation for not only where we are but where we come from -- and what we're made of.

Who are your favorite expat bloggers and why?