New School

How Use Twitter As An Author

As the coeditor of an anthology by foreign women in modern Turkey, and an American living abroad in Istanbul, Twitter has been an invaluable tool to bring me closer to the world I work in, and up to speed on my industry. I meet my readers (fellow expats, travelers, writers, and culturati among them) and my publishing world colleagues (agents, authors, editors, publishers) to discuss not only issues relevant to my first book, but also to the memoir I am currently writing, and the rapidly changing state of publishing. I’ve also connected with professionals who are giving me feedback on my work in progress.

Some examples of how I use Twitter as an author:

1) On May 29 at EST 4pm, I will guest host #litchat, an open discussion series founded by a fellow author (@litchat), on the topic of expatriate literature. (#litchat is an hour-long open discussion on a topic, three times a week. You can follow it in Twitter search or on www.Tweetchat.com using the term “litchat”.) I’ll be guiding the discussion, soliciting opinions and offering my own based on this view: Expatriate literature may be stocked in the travel section, but does it deserve a shelf of its own? Living for extended periods in foreign locales, expatriates struggle to reestablish themselves and find meaningful access to their new home. Travelers passing through often have the luxury to avoid the very issues of assimilation and identity that dominate the expat psyche. We’ll talk about the unique depths this can bring to expat lit’s combination of outsider-view-from-the-inside and journey of self-realization. See litchat.wordpress.com for more info.

2) #editorchat – I follow the illuminating transcripts at editorchat.wordpress.com since the chats take place at 5am Istanbul time and I haven’t managed to be awake during them yet!

3) Through Twitter I’ve also been invited to write a guest post for an editor’s blog, voted in the top 100 publishing blogs, about my experience as an author abroad trying to get up to speed with my traditional and digital publishing options and comparing today’s conditions with those I once reported on the e-publishing beat at Internet World trade magazine in 2000.

4) #queryfail and #queryday – these discussions (also found by Twitter search and Tweetchat) have been consistently good to refresh my own agent pitching techniques, especially as I prepare a package for an agent this month

5) A pop physicist I met on Twitter is currently vetting some popular science in the foreword of my current memoir, and I’ve discussed some of my emerging theories about online psychology (also in current memoir) with a group of psychologists championing it, including the founders of #mentalhealthcamp

I wholeheartedly recommend authors use Twitter in these ways and all the others you’ll likely be inspired to pursue.

Reasons To Not Auto-Follow On Twitter

A LinkedIn group for photographers hosted a discussion thread about Twitter and invited us to share our handle. But to do so, we had to agree to follow everyone else in the thread. My response:

Very sorry you make this auto-follow stipulation. I've been using twitter for 9 months and it's changed my life. I believe there are many completely legitimate reasons not to auto-follow someone back on Twitter.

Among the reasons not to auto-follow: curating one's own timeline for particular communities and posting-behavior/topics/usage level, frequency and style.

 

Twitter is very much about customizing your experience for your own needs.

Even the most 'expert' users are split on the idea of auto-following out of politeness/courtesy. I routinely check in to see what followers I am not following are tweeting, especially newcomers and infrequent posters, who may change their output and interest me. If my followers engage with me I often follow them back as I get to know them. however I choose to follow people on Twitter for reasons other than that they are following me.

And I don't unfollow people because they don't choose to follow me -- that's very high school. If what they tweet is valuable to me, that is all I need from them.

Expat Personal Branding For Career Success Abroad

In a two-part interview with Career by Choice, a blog run by expat career coach Megan Fitzgerald in Rome, this week I talk about the lessons of Expat Harem in forging my expat writing life. Answering questions about personal branding and career success abroad, I explain how writing about my life overseas and editing Expat Harem connected me to a worldwide band of peers, and gave my career and conflicted expat mindset a new cultural context. Part one Part two

Utopian Cowtown

Davis, California gives us a hint of the future, a future that suggests that small communities can do great things where mega-cities just don’t have a clue. Most definitions of utopia don’t include submitting to grass police. Yet in one northern California hamlet, residents are lining up for the privilege of having their lawns monitored for eco-incorrect sproutings. “They send people around to check for Bermuda grass and they fine you if they see it growing,” admits Paul Teller, a University of California professor and long-time resident at the exclusive communal Village Homes housing scheme in Davis. When asked if this kind of scrub-scrutiny is a small price to pay for being part of a forward-looking community, the philosophy teacher is passionate in the affirmative. “I paid extra to secure a spot here and now I’m never leaving!”

Due to its unique concept, the professor’s vaunted neighborhood—a 240-home, 60-acre development in an agricultural town 16 miles (26 km) outside the state capitol, Sacramento—has been the subject of national and international television documentaries on environmentally sustainable living. Conceived at the height of the unsettling Ford-era gasoline crisis and economic recession and built in 1975, Village Homes attempted to recreate a traditional sense of community while conserving energy and water in the most efficient ways. Solar water heating and passive space heating designs are incorporated into each home. Neighbors share not only the unfenced yards around each home, they also meet in the large village green, entrust their children to a community day care center, hold performances at the village amphitheatre, and relax in the community-run pool.

Yet this environmentally-conscious sanctuary has not built high walls to shut out a cruel world, as the surrounding town of Davis is also dedicated to an excellent quality of life, clean living and sustainability; it was named one of the healthiest U.S. communities in which to live and retire. With an approach combining innovation, education, recreation and social awareness, Davis is brimming with unique community aspects. In addition to its community-built Art Center, more than $200,000-worth of publicly owned objets d’art are exhibited throughout the charming pedestrian-friendly town, for the residents’ strolling pleasure. The numerous cafes are equipped with modems for easy laptop internet access, the morning Farmer’s Market is an institution of fresh produce and down-home cooking, and neighbors volunteer their time to run the Co-op, a popular communal health food and natural supplies market. The wholesome-looking students in the well-tended public school system consistently get the best test scores of the entire region. Down at City Hall, citizen committees advise 30 boards and commissions on issues ranging from natural resource conservation to childcare.

If pioneering California often fulfills the most progressive of its nation’s dreams, then Davis must surely fulfill the most progressive dreams of its state. With its emphasis on recreational opportunities and greenery (including 25 miles [40 km] of greenbelts winding through town), the City’s budget for parks and community services, unusually, exceeds the combined public safety (police and fire) budget. Recognized since 1977 by the National Arbor Day Foundation as a ‘Tree City’, Davis boasts 18,000 trees—from flowering crabapple and apricot, to oaks, eucalyptus and redwood—lining its streets and parks, with species chosen for both drought resistance and their evergreen and flowering aspects.

Meanwhile, wheelchair ramps, audible traffic lights and Braille signs for the seeing-impaired round out the politically-correct public services to aid independent living. As for the impact of 25,000 University students on the relaxed township, resident Colleen Stanturf proclaims, “They’re not a problem, they all ride.” Bicycles, that is. Also known as the bicycle capital of the U.S., Central Valley-bed Davis sports a renowned system of bikeways that cover 40 miles (65 km) of parks, greenbelts and roadway bike-lanes.

Davis’ commitment to utilize non-traditional approaches to solve traditional problems owes a great debt to its world-class university. One of the ten University of California campuses, it was founded as the ‘University Farm’ in 1908 and its focus on life sciences has led to a stellar international reputation in agricultural, biological, biotechnological and environmental sciences. With students and faculty making up nearly half the total population of 62,000, Davis is one of the last ‘college towns’ in California—and its residents boast the highest level of education per capita in the state, ranking second in the nation.

Many of the university’s ground-breaking research programs influence the way the town works. For instance, the city is on the national forefront of multipurpose storm drainage facilities, with its drainage ponds also serving as wildlife habitats. The school researches commercial farming practices it describes as “more sustainable, ecologically sound, economically profitable and socially just”. Meanwhile organic compost material, a staple of clean agricultural practices, that is derived from the collected yard waste of Davis residents, is redistributed free-of-charge by the City “while supplies last”. Roses as large as salad plates were fed off this rarefied city-issue compost.

Davis has been recycling on a city-wide basis since 1970 and now diverts from its landfills a whopping 50% of its waste-stream (including mixed papers, glass, cans, plastics and yard waste). The extensive curbside recycling program, detailed in its publication Garbage Guide (printed on 100% recycled, 100% post-consumer unbleached paper with soy-based ink of course), also accommodates hazardous waste (like car engine oil and batteries), which the city will pick up and safely dispose. Truly putting its money where its mouth is, City Hall places a priority on the purchase of products made with recycled materials as well.

Throughout neighborhoods visited by jackrabbits, woodpeckers, deer, bluejays and hummingbirds, community gardens which protect rare and endangered species are sponsored and maintained by the University and residents alike. In a state beset by drought, native scrub and water-hardy plants are not only encouraged by the authorities, they’re readily available at local nurseries. Private greenhouses can be spotted all over town, along with rainwater cisterns, windmills, solar panels and innovative wildflower rock-gardens.

In an important stewardship, the school administers more than 30 nature reserves that represent the spectrum of California’s ecological biodiversity. A study with the U.S. Department of Energy focuses on the global environment and climate change. The school’s Center for Design Research meanwhile tackles issues of ecologically-appropriate design (including resource and nature conservation) and socially responsible design (that is, environmental design emphasizing user needs and participation). Yet another institute works on improving the scientific basis for making decisions on environmental issues, both natural and human.

With heady stuff like this going on, it’s no wonder even the heavens aren’t beyond Davis’ utopian reproach. In 1999, mayor Julie Partansky’s pet project unanimously passed into a city ordinance: to reduce ‘sky glow’ (otherwise known as light pollution) so residents can see the stars again. From now on, all new outdoor lighting will be shielded and pointed downward. “We needn’t light this place up like an airport,” Partansky declared. “We’re not San Jose, after all,” the mayor added, taking a swipe at the state’s fastest growing, soulless, highway-laced city in the heart of another Valley, the high-tech Silicon one. In the face of continuing expansion San Jose was bidding adieu at that same time to its last remaining fruit orchard, the principle produce of its fertile valley for much of the past century. For agriculturally-based Davis and environs, the march of progress has very different plans.

++++ Variations of this appeared in numerous publications around the world, including New Renaissance, Vol. 11, No. 3 and its website May 15, 2006

Shifting From Writing For Others To Writing For Myself, With Mediabistro's First Journalism Bootcamp

My Mediabistro alumni interview with Claire Zulkey for Mediabistro Toolbox. I took Mediabistro's first media program given by creator of the series, Victoria Rowan, in 2005.  

What course did you take, how did you hear about the boot camp and why did you decide to take it?

I took Parris Island Journalism Boot Camp with Victoria Rowan, Fall 2001, eager to reinvigorate – and focus — my writing career after being laid off from a trade magazine editorship.

I wanted to make the shift from writing for others to writing for myself.

 

Also, like many writers who have not explicitly studied journalism or the business of writing, I knew I could benefit from a more professional approach to the craft.

Did it lead to any assignments, connections or jobs? What did you learn?

Yes. One week we interviewed newsworthy acquaintances and tried to sell the profiles. With that material I published a profile/book review/event announcement in the Village Voice — the managing editor’s hybrid idea when I emphasized the curating work my multimedia poet interviewee was doing at St. Mark’s Poetry Project, and an upcoming performance there of a new Brion Gysin book.

Thanks to Victoria’s pragmatic ‘so-what, why this audience, why now’ coaching, emphasizing these elements of my pitch set my subject at the helm of an upcoming event where avant garde artworld legends would be appearing. The right story for the right audience.

I also understood from Bootcamp that I had a time hook most appropriate for a weekly newspaper like the Voice. The editor’s suggestion entailed a lot more work but Bootcamp taught me that if an editor was gracious enough to tell me exactly what he could use all I needed to do was accept the challenge. As Victoria explained, “We’re here to eliminate the reasons an editor has to reject your work.”

MB’s Bootcamp offered operable information about writing and selling in seven genres (personal essays, travel, op-ed, business features, profiles and reviews and tone-dependent pieces like the New Yorker’s Talk of the Town).

The bootcamp also underscored the importance of astute portfolio building to get a writer where she wants to go.

 

I benefited most from Victoria’s deconstructive clarity about composing and selling nonfiction writing — and today it is appreciable how much I learned about piloting a writing career.

Master Of The Road Takes A New (GPS) Mistress

Most of the time my husband and I work as a complementary team. He trusts my research skills and intuition to invest money and choose gifts for his mother; I defer to his computational and engineering strengths with taxes and misbehaving electronics.

At home in New York City, we face each other at the dining table on twin computers, and in the kitchen, one cooks while the other tackles cleanup.

But when my husband commands the steering wheel of an automobile, suddenly he thinks he can do without me.

"Turn right, honey," I plead, as we pass a landmark in rural New York State for the third time.

"I think that's the way to the bridge," I say, wistfully pointing out the window as our car rumbles straight through the intersection.

The crinkled map in my lap may offer no clue which gray squiggle represents this wooded country road, but I still think we should have turned right. Call it feminine instinct.

The man of my life is not listening. Nor is he watching the road. Instead, he's enamored with a new woman in the car. One hand on the wheel, the other is fondling a small Global Positioning System (GPS) unit mounted to the dashboard, the NeverLost Magellan.

Soon a breathy, female voice intones, "Calculating route. Make a legal U-turn."

My computer-scientist husband swiftly complies, checking his mirrors as if the mechanized woman in the dash can appreciate his rigorous driving etiquette. Chafed, I realize he prefers feminine instinct packaged in a high-tech gadget worthy of James Bond.

"Approaching left turn in one mile," the disembodied lady voice continues.

It's the turn I suggested, but now my husband is convinced. Our car has located the GPS satellites, computed our location, and placed us on the grid. It's all very scientific. My man is bewitched by the small guidance screen highlighting our route in pink. When the car reaches the turn the machine makes the cloying sound of a 1950s doorbell.

Noticing my sour expression, he attempts to lighten my opinion of the device, enthusing over the instrument's slew of advantages: we can clock our time to destination, check our maneuver list, magnify the map. We can locate Chinese restaurants in the region and view the next five exits. And then to add insult to injury, he points out that we can receive all this instruction in seven languages, including French, Dutch, Spanish, and Japanese.

But, relieved of my navigating duties and with nothing else to do, I fume. Arms crossed, staring straight ahead, I think, "How galling to be sexy and precise in seven languages!"

For all I care, she and my husband can both get lost. I am jealous of a travel gadget.

"Enjoy the sunset," he finally suggests, sighing, as we approach New York City, master of the road saddled with a crotchety old mistress in the shotgun position.

Then tragedy strikes the happy couple. Hoping to avoid thousands of vehicles entering Manhattan, my husband discovers he cannot suitably query the on-board guidance computer.

The James Bond woman is lacking in dimension and limits him to simple options.

"Shortest Time," "Most Use of Freeways," and "Least Use of Freeways." The expensive little machine fails to factor the rush-hour time of night and the circuitous route we normally prefer to avoid the bottleneck.

Following the robotic navigator's strategy, soon we are mired in traffic near a bridge we wanted to bypass, and then end up in a tangle of New Jersey roadways before office buildings disrupt our signal and erase the on-screen map.

My husband begins to lose his composure.

He's fidgeting with the machine even though the device clearly states when rebooting that "Driver should not program while driving."

This must be the first time he has defied the dame in the dash.

Me, I'm enjoying the dusk as instructed.

We merge into an eight-lane highway heading west to California. An obvious mistake. Springing back to life, the computer offers a solution that seems easy but is impossible to execute among the dense traffic and poorly lit roads. Overloaded tractor trailers blast their horns as our car swerves uncertainly.

"What should I do?" my husband finally wonders aloud.

"Go south, we'll figure it out, sweetie."

The metropolis of Manhattan looms; I am positive we can't miss it.

But the inflexible device contradicts me, insisting in its firm and vaguely accented way, "Proceed to highlighted route!"

My husband, looking more like the man I married, reaches over and shuts off the misleading NeverLost. Seductive voice silenced, the screen goes dark. But as the city lights rise before us, I can still see the ghostly trace of her suggested itinerary.

++++

This appeared in The Christian Science Monitor, August 21, 2003 and in The Thong Also Rises anthology

Launching Writer's Desk: A Web Tool To Organize The Writing Life

My software developer husband and I designed and built a new web-based writing tool. It was inspired by my experience as a freelance nonfiction writer. This online service provides a basic foundation for writers to get organized by recording revisions, tracking submissions, compiling market information and registering rights and income. For the past six months my husband and I have been designing and building a new web-based writer's tool. In this season of resolutions, we're happy to announce the launch of Writer's Desk, an online workspace to improve the way writers spend their time. We'd be honored if you pass the opportunity to colleagues and friends -- writers of all kinds -- who may have resolved to get organized this year.

SITUATION

Being a writer often sneaks up on a person.  Not many train for the vocation nor start with all the equipment, contacts, long view.  It's no wonder that eventually the snowball of success or dogged enthusiasm becomes an avalanche of produce - or expectation. Then buried writers inch along using outdated, poorly conceived systems to track work; repeatedly resolve to better keep writing in circulation; dream of one day expanding to new markets. SOLUTION

My computer scientist husband watched me -- a New York-based freelance writer -- function in this typical writerly way.  But unlike sympathetic others in the writing trade, he found observing me in action unbearable. So we pooled my professional nightmare with his software developing expertise to construct a website that has revolutionized the way I work and is too useful not to share with the wider writing community.

If you can operate a web browser anywhere in the world you can use this online service to simplify the logistics of being an active writer. Subscription is less than USD20 per year and while the site is optimized for the U.S. market, feedback from international users will help make it a global service.

FREE SUBSCRIPTION

Register for a thirty day free trial at www.writers-desk.com to judge if Writer's Desk improves your current method to:

  • Track writing objectives and submissions
  • Compile editorial guidelines and publishing contacts
  • Register rights granted, income earned
  • Trace the development and history of work - and more!

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We just opened it to the public as a subscription service.  You can find the creative and business workspace at  www.writers-desk.com

Writers use tools to *write* and tools to *sell the work*.  Writer's Desk is a bit of a cross between the two since it helps a writer envision her portfolio, both published and unpublished; encourages hierarchical thinking about projects and other writing ideas in order to more deeply develop material; offers a place to consolidate market contact information and notes; and helps track submissions, rights and income.

I can upload documents to the web service for retrieval on the fly -- and open and update my account from any computer with Internet access. So for me, logging on to Writer's Desk every day affords a quick overview of what I've done, what I must do today, what I plan to do and what I hope to do.

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A superb and versatile tool to manage song submissions and grant applications.

-- songwriter, Seattle, WA

Smart use of web technology. Finally I'm not tethered to my laptop.

-- journalist, New York, NY

Perfect for disorganized writers. Especially helps follow up with editors and agents!

-- novelist, Lawrence, KS

Portfolio overview is priceless. Great to develop new ideas, exploit material.

-- essayist, Des Moines, IA

Suits my purposes: developing scripts, tracking festival submissions.

-- screenwriter and director, San Francisco, CA

 

Figurehead Travel Model For The Sharing Economy

Acknowledging a tendency for certain students to be natural leaders in their social circles, Kerim Baran, principal of a figurehead travel service based in San Francisco, invites magnetic personalities to serve as unencumbered trip leaders while their classmates cement social and professional bonds in style.

“Imagine jetting off to an exotic locale with your favorite college crowd,” says Baran. “Without the buzz-killing responsibility of being in charge.”

 

Inspired by his own social travel peaks while in the academy, this Harvard MBA offers a short-cut to quality group travel in Turkey and beyond, absorbing intensive logistics and tailoring trips to culturally curious, active collegiates.

In its maiden season this past summer, Baran chartered Istanbul nightclub hopping and Aegean yachting tours for several assemblies of Harvard students.

Staging my destination wedding in Turkey last year was a first-hand lesson in the immense energy investment -- and memorable profit -- of group travel. Through social connections I have become acquainted with Mr. Baran and his travel philosophy.

I see it as a way to maximize college holidays: students with less cash to drop than shoulders to rub can benefit from the economy of scale offered by this new form of group trip. The figurehead model.

Invite To Beta Test A New Writer's Tool

As a writing friend or associate of mine, I’d like to cordially invite you to beta-test WRITER’S DESK.  This new web-based writer's tool was designed by my computer scientist husband after unbearably observing me in action. Too useful not to share, we soon plan to launch it as an online subscription service.  If you can operate a web browser, you can use this database software intended to simplify the logistics of being an active writer. An online centralized place to store and manage information to maximize your writing potential, WRITER’S DESK can help you:

TRACK SUBMISSIONS AND MONITOR PROGRESS

  • Identify publications and presses where your work is currently under consideration
  • Display a history of your submissions to a specific outlet
  • Distinguish agents and editors you’ve followed up with and their reactions
  • Map the exposure of different incarnations of your work
  • Register the rights granted and income earned on each project

 

DEVELOP YOUR WRITING GOALS

  • Brainstorm overarching project ideas
  • Pinpoint specific directions to go with your material
  • Note thematic patterns in your publication history to strengthen your portfolio or phase-out beats of little interest
  • Log unpublished or unused material and make plans to capitalize on it
  • Chart a publication path to your dream gigs

 

ORGANIZE YOUR RESOURCES

  • Plan well-received approaches based on editorial and submission guidelines of your target presses, publications, and editors
  • Compile, annotate and manage a database of publishing world contacts
  • Upload document files for access on the fly
  • Search your projects and files by keyword or word count

 

HOW TO BE A BETA TESTER

The beta test starts in October. During the test period, use the tool to its fullest extent to evaluate how it works for you. While using and in an exit questionnaire, share your impressions about any and all aspects of the tool.  (If you lack sufficient time or motivation right now, but want to be kept abreast of WRITER’S DESK developments, let me know by email before October 1.  I will be happy to notify you when we launch so you can enjoy the software at your own pace.)

In exchange for your active participation as a beta tester, I am pleased to offer the online service free for a year, with significantly discounted membership thereafter. A considerable additional benefit of being a beta tester is that later versions -- customized with your valuable feedback – may align not only with the way you truly work, but how you have always dreamed of working.

Interested beta testers, please email me by Tuesday, October 1 and let me know what computer system and version of IE or Netscape you plan to use.  Soon you will receive a detailed email with a link to the tool and the start date of the test.

Thank you for taking a moment to consider assessing WRITER’S DESK beta version, I appreciate it!

 

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Welcome to the WRITER’S DESK beta test.  Thank you for trying this new web service, your enthusiasm and sense of adventure are appreciated!  Here are further details of the test -- which begins today -- and a link to the tool.

CONTROLLED BETA

The test you are about to participate in is a controlled beta test, which means that it is not open to users beyond those who are initially invited. Any new accounts registered after the beta group has enrolled will be blocked.  Others will be able to try the system for free when we launch.

However, feel free to refer associates who might be interested in trying WRITER’S DESK in an expanded test.

SERVICE INTERRUPTIONS

Since this is a beta, we will regularly update the site, incorporating fixes and changes based on the results of testing and your feedback. An update takes about five minutes, but for now we ask you not use the site between 11:00 p.m. – 11:30 p.m. nightly.  If or when the schedule changes, you will be notified by email.  We will also alert you to longer updates.

SAFEGUARD DATA

Like all beta versions, the WRITER’S DESK software you are about to use is potentially unstable. While no data has been lost during development and alpha, we recommend you safeguard the information you enter in the tool by printing it out.  Also make sure you keep a copy of any documents you upload from your personal computer. The database will be backed up daily and transferred to a remote machine, but not the documents you have uploaded.

CONFIDENTIALITY

By participating in this beta you agree that you will refrain from sharing details -- large and small -- about WRITER’S DESK with anyone from the start of the beta period until we publicly announce launch of the service. We apologize if this goes against your communal grain. When we launch we would be more than happy if you mention the web tool to others!

BEING A TESTER

During the beta period, use the tool as often as you can and to its fullest extent to best evaluate how it functions for you. But also test its limits: don’t fill in every field or only partially fill a field.  Enter what you think might be bad data and see how the system reacts. DO ODD THINGS! If all goes as planned, you will know when the system fails when you end up on an error page, on which the path of the page that generated the error will be displayed.  But any other odd behavior should be reported. Let us know what happens to you, and while you work, share what you’re thinking by jotting observations and questions in the feedback form.  Which sections seem gratuitous, which are vital, what is missing?

EXIT QUESTIONNAIRE

When the beta ends, in an exit survey we will solicit your opinion on possible new features, based on our own plans for developing the service, and your feedback while testing it.

GET STARTED

Proceed to http://www.writers-desk.com. Register. Preview the Getting Started page, and you’re on your way!

We look forward to hearing what you think of WRITER’S DESK and thank you for your time.

 

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