What Killed The Dinosaurs

(Adapted from a permanent multimedia exhibit I wrote and produced for the Malaysian Ministry of Science's National Planetarium in Kuala Lumpur, under the supervision of  astrophysicist Dr. Mazlan Othman who now heads the United Nations Office for Outer Space Affairs in Vienna.) For millions of years, gigantic reptiles ruled the third planet from the Sun -– our home, the Earth. With each stride, the ground shook beneath their feet. The swampy air was filled with their monstrous trumpeting and reptilian cries. And then suddenly, mysteriously, the Age of Reptiles ended. Why? In search of an answer, the story of the dinosaurs will take us on a journey deep within the crust of the Earth and far, far into outer space.

Dinosaurs appeared 225 million years ago. It was during the Triassic period, when all the continents were joined together in a supercontinent called Pangaea. The climate was hot and swampy, just the way the dinosaurs liked it. Being cold-blooded creatures, they needed high temperatures to warm their blood. They flourished through the Jurassic period and on in to the Cretaceous, evolving from turkey-sized Thecodonts to the largest animals ever to live on land. And then, around 65 million years ago, they disappeared from the face of the Earth. Why did they all vanish at the very same time?

Extinction is an integral part of nature, making way for more viable life forms. Several mass extinctions have occurred over the ages, but even so, scientists can only guess at their causes. Perhaps the dinosaurs were affected by a climate change, when the continents began to break apart and drift toward the North and South Poles. Cooler temperatures would have made them sluggish and less able to hunt for food. A new climate would have changed the whole ecology of the Earth, like bringing new plants which might have been poisonous to the dinosaurs. Plankton, the simple sea organism which use the Sun’s energy to produce oxygen, are known to have become extinct at the beginning of the Cretaceous period. Maybe the dinosaurs had trouble breathing in this new environment.

Or, perhaps the answer is not on land or sea. Perhaps it is not even here on Earth. Since the beginning of mankind, we have gazed at the heavens, looking for answers. Prehistoric man noticed that certain celestial bodies move in orderly and predictable paths, and astronomy (the study of the stars) was born. Although an ancient science, it continues to yield new discoveries.

One astronomic explanation is that a star in a nearby constellation exploded, creating a supernova. This would have bathed the Earth in deadly cosmic rays.

Another theory is that the impact of a giant meteor striking the Earth could have caused the sudden extinction. Meteorites, which are space rocks, orbit millions of kilometers from Earth. A planet’s gravitational force might alter their usual path. Enormous craters are proof that meteors have struck the Earth in the distant past, sending dust and debris into the atmosphere. This would have blotted out the Sun’s rays, dropping temperatures and killing plants and animals alike. Or, asteroids, minor planets, could similarly strike the Earth when knocked out of the asteroid belt that orbits the Sun.

It could have been a comet. Mostly dust and ice with a sprinkling of rocky and metallic materials, comets orbit outside the solar system in the Oort Cloud. When a comet comes close to the Sun, the ice evaporates and forms a tail containing ash and gases. Some tails are up to 150 million kilometers long. The Dutch astronomer who gave his name to the Oort Cloud, Jan Oort, thought a comet was responsible for the dinosaur extinction. Oort thought comets entered the inner solar system when disturbed the gravitational force of a nearby star.

What star could disturb the comets? One is Nemesis, the Death Star. A faint red star, it is believed to be the Sun’s companion star even though it exists outside our solar system. Moving in an elliptical orbit, when it approaches the Sun it passes through the Oort Cloud, hurling comets toward Earth. If Nemesis orbits every 26 million years, then perhaps it is the cause of the regular mass extinctions on Earth.

Or maybe the cause is Planet X. Planet X is a tenth planet that may exist on the outer reaches of the Milky Way. When the Sun orbits the galaxy every 33 million years, it oscillates up and down. This may cause far off Planet X to disturb the Oort Cloud with each oscillation, heightening the probability of cometary disaster here on Earth.

So far the strongest proof that the dinosaur extinction was caused by something from outer space lies deep in the Earth’s crust. Geology, the study of Earth’s history, may offer an answer. Every layer of the Earth represents a period of time, and holds clues to the events of that age. American geologist Walter Alvarez noticed that there was an unexpected presence of iridium in the same layer, all over the world. The rare metal, from the Latin word meaning “rainbow”, appeared in the layer that represented a time 65 million years ago. That was when the dinosaurs became extinct.

Walter’s father was a Nobel Prize-winning physicist named Luis Alvarez. Walter told his father about the iridium, and the physicist theorized that it came from outer space, since space rocks are full of the metal and earth rocks are not. An explosion would have cast the iridium into the stratosphere, allowing it to settle on Earth in the consistent layer Walter Alvarez discovered. It might have been a meteor, or the collision of a comet, which is more common. Finally, we have solid evidence that the extinction of the dinosaurs has an astronomic cause.

Filming Anna & The King With Jodie Foster and Chow Yun Fat

Just got back from the filming of 20th Century Fox's extravaganza ANNA AND THE KING (of Siam) in Ipoh, two hours north of here. No, I was not Anna although my English accent would have been equally as bad as Jodie Foster's.

Her simpering dialogue coach would run up and say, "That was perfect! But if you want to make it even more perfect --"

I played an attitudinal European, "Lady Hay", in 1870s Bangkok. This mainly amounted to being uncomfortably-trussed-up-in-the-tropics and giving Jodie the evil eye around town, and at the big banquet and ball thrown by gorgeous King Mongkut at his Winter Palace.

I also did my share in giving her and Chow Yun Fat a really hard time out on the marble dance floor. With 25 barely-trained couples it quickly became more like a bruising, tripping, sweaty mosh pit than an evening of civilized diversion. The editor will have to be a genius to make us look like we know what we're doing.

We'll be waltzing across the screen in December.

Career Girl At Age 8

At the age of 8, my three favorite activities were:

  1. driving my car (which was actually a bookcase with a cardboard steering wheel taped to it)
  2. to a "French Lady" tea party with my sister (where all conversation was spoken with some kind of fru-fru accent)
  3. and then back in the car to my office where I shuffled papers, filled in some outdated, discarded forms we salvaged from a Dumpster somewhere, and sent and received mail with my sisters who were in their offices, for hours on end.

Playing with dolls was not a major occupation. I was a career girl!

 

That year for my birthday, I got a baby doll (the kind with the big bald plastic head) from my aunt back east who didn't know me at all.

Eerily foreign, I didn't know what to do with it.

Should I take it in the car to my tea party and to the office?

A baby had no place in my life.

Developing Cool Arts South Sea Cultural & ECommerce Portal, 1998

In development, to be located at www.flamingeast.com  

Presenting a feverish vista onto Southeast Asia, from the Age of Discovery through the Golden Age of Travel….spiked with the delirium only a good bout of malaria can provide!  A site of resource and entertainment for Western nostalgia-seeking Baby Boomer travellers to their Generation X backpacking cultural tourism children.  A window into this part of the world both past and present, through the atmospheric and romantic filter of history, art and literature (COOL ARTS): summoning up awesome adventure, the pursuit of commerce and spirit of exploration that once characterized the Western world's relationship with these Crossroads of the East.

 

Our upscale, well-educated English-speaking target clientele are historically- and aesthetically- saavy people as well as others enchanted by our handsome, substantial, well-read and humorous rendering of the region.  They include both people who voyage in the flesh and those who visit this part of the world virtually.  We'll provide the attractive, entertaining context for their explorations, as well as provide access to select products, suppliers, resources, establishments and destinations which currently celebrate South East Asia's colorful legacies and legends.    Cool Arts South Sea will offer a comprehensive and contemporary look at an old place, all the while having a little fun with the history, art and literature generated both in the West about this place, and here in Asia.

 

For instance, the first edition of the site might feature in its TERRA INCOGNITA Tales section a piece about the tea trade and how pidgin english originated from the Europeans' need to communicate with the Chinese in some language they could both understand; and in the Hot Spot section, a spotlight on a Bangkok-based publisher of quirky travelogue reprints from the 19th century and reprints of antique books about Asian elephants. This publisher currently sells online and we would want to get involved with that, perhaps offering his wares in our ARCHIPELAGO TRADING section, or operating as a portal to his site.  In further additions we would add archives, a searchable timeline, more products and vendors, information about resources and destinations featured in TERRA INCOGNITA and ARCHIPELAGO TRADING.

 

Also for instance in the first edition, the more rollickingly interpretative COOL ARTS section:  in the Literature section EX LIBRIS we might feature excerpts of turn of the century British Malaya newspaper items along with jocular contemporary criticism and images in GALLERY section to illustrate the points.  These artistic, computer-assisted images (and sometimes the images of the literature itself) and their wacky explanatory captions could be sent to one's friends via our POSTAL CARDS section.  In PANDEMONIUM we may start compilation of a series of famous people who've had malaria, and the outcomes of some of their bouts, such as the esteemed naturalist Alfred Wallace, who originated the theory of Natural Selection while in a malarial fever in this part of the world.  The fact that Darwin is better known for his Origin of Species may be directly related to that debilitating but illuminating fever.  We might explore this in more detail in our NATURALIST'S CORNER which will highlight the natural world and the people who came here to study it, a subsection most likely of TERRA INCOGNITA.  We might also ask our audience to nominate other worthy parties for inclusion in the MALARIA HALL OF FAME which may be set up in Pandemonium.

 

In any case, we want input from our visitors, we want to know what they know, what they love, what they want to know more about and we'll give them every opportunity to tell us, as well as offer them a GLOSSARY to explain the terms and phrases we use, some of which are not used very often any more.  We want to bring them back in all their mystique and style.  We'll also ask our visitors to sign our GUESTBOOK to build our database, vote on the first items to be offered in ARCHIPELAGO TRADING (some of which we may produce ourselves in our COOL ARTS product line) and tell us what they want defined in GLOSSARY, as well as suggest venues or tales they'd like to see featured in TERRA INCOGNITA.  Very interactive.

 

By the third incarnation of the site we hope to have a virtual community beginning, as well as some ecommerce structure in place, and a more fully-fleshed portal-like directory growing.

 

 

What follows here:

1) The company philosophy as it was written for the ABOUT US section, an introduction for our visitors

2) The site map

3) A description of the design theme for the site and logo

4) Directions for home page and directory page with design and mouseover information

5) Extended definitions of bracketing periods to be placed in site's glossary

6) Materials and Labor: breakdown of what we have, what we don't

 

 

 

 

COMPANY PHILOSOPHY

 

AN ILLUSTRIOUS MYSTIQUE

"The part of the world that lies around the South China Sea", as one European narrator so circuitously  referred to it, was once immersed in an illustrious mystique.  Pirates and monsoons held sway on the seas while headhunters and mosquitos did their part in the interior.  Yet over several centuries an international set of adventurers, traders, colonizing industrialists and pleasure travellers risked these and a slew of other tropical hazards.  Along with Asiatic goods and unimaginable riches, fanciful tales filtered home: of ancient races, shining temples and blue, impenetrable jungle.  Even the air was different here, as the east wind apparently came laden with the aroma of silks, sandalwood, spices and camphor.  Well, no longer.

 

LOSS OF NAIVETE

Oh, Southeast Asia (and the scattered bits all around and around...)continues its enveloping assault on the senses; its roots are as deep as ever; and its jungles, untouched by the Ice Age (although mauled by Cro-Magnon's less-hirsute relatives), still encompass a greater diversity of species than any other place on earth. But in today's shrinking world we have lost a most colorful naivete, the uncensored awe and attendant romantic notions that once swirled like a thick fog around exotic new lands.

 

A NEW LOOK AT AN OLD PLACE

COOL ARTS SOUTH SEA seeks to renew the wonder that existed in these watery crossroads of the East from the Renaissance's Age of Discovery with its ambitious empire-building and search for profitable trade-routes, through the impossibly sophisticated steamer trunks-and-servants Golden Age of Travel, and beyond. By conjuring the senses and sentiments of those vaporous days, as well as helping you access suppliers, establishments and destinations which celebrate those colorful legacies and legends, we propose to take a new look at an old place.

 

RESOURCES FOR THE HISTORICALLY-SAAVY TRAVELLER

Cool Arts South Sea intends to amass both modern and ancient resources, for today's more historically-saavy traveller, whether you voyage by virtual-armchair, in the flesh, or both. A wide array of avenues will aid in enriching your trip, and assure the mementos you bring home to loved ones reflect your most adventurous notions of the place. From firsthand accounts of Asiatic travels, to the hippest opportunities for capturing a vanishing slice of South China Sea life, Cool Arts South Sea marks the spot.

 

FOR RELUCTANT ADVENTURERS

Fear not.  Cool Arts South Sea is the perfect place to begin exploring uncharted territories, an introduction to the mysterious world that lies at the intersection of the East and the West, the past and the present.  We aim to provide general explanations and further references for all newcomers whose interest is aroused. (with GLOSSARY and mouseover texts)  If you don't see an explanation already on the site, refuse to be daunted in the face of the unknown (like all good explorers) and ask us for one -- we will do our best to supply it.

 

MAIN STREET MEETS SULTAN STREET

We are the intersection of old and new; east and west; straight-ahead historical fact and irreverent revisionist fantasy; gravity and levity. So in addition to straight-ahead historical representations, you will also see hybrid ventures and fusion perceptions, those with meaningful East-West elements and contemporary slants on ancient motifs.

 

TWEAKING THE FOLLIES OF THE DAY

Our particular interest lies in the rediscovered and reinvented treasures of the region -- and our modern, tongue-in-cheek spin on the region's events and customs (of natives and foreigners alike) not only memorializes the lives and livelihoods past, but also wickedly tweaks the follies of the day.   Our romantic fog banks burn off when the sun gets hot enough!

 

SHARE THE WEALTH

We invite all you world-class explorers and armchair historians, landlubbers and seapuppies to be active participants in our search for meaningful destinations and quality purveyors of flaming east mystique -- by nominating for our ever-growing roster the unique gems you have mined in your own South China Sea escapades.

 

OUR FLAMING FUTURE

…includes a full-fledged virtual community and ebusiness. Meet others with similar interests -- and debate esoterics or tropical topicals-- as well as access an unusual collection of products, services and other instruments tailored for the historically and artistically astute Cool Arts South Sea crowd.  See our PRODUCTS page for more information and to vote on the products, services and other instruments you want to see first. If you would like to be kept abreast of this site's advances check that box in the guestbook.

 

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SITE MAP

 

HOME PAGE

|

DIRECTORY

__________________________________ _______________|_________________________________________________________

|                             |                                       |     |                                         |       |

ABOUT US/SITE         TERRA INCOGNITA                COOLARTS       POSTAL CARDS        ARCHIPELAGO TRADING  |

|     _____|______                         |                                                                       |

CONTACT US             |                  |                   ____ __|_______                                                             GUESTBOOK

Hot Spots            Tales             |          |          |

|          |          |

(Fine Arts  Philosophy  Literature)

GALLERY  PANDEMONIUM  EXLIBRIS

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MAIN THEME:  Artistic, aesthetic, historically-based but funky and contemporary

 

COLOR/MOOD

Burnished, old-timey feel - no bright, clear jewel tones, no mcdonald's yellow or corporate blue

Mysterious and spicy colors, muted or "dusty-looking" (like burnt orange, maroon, teal and seafoam green, cream, white, black, dusty rose, dusty purple)

 

 

DESIGN ELEMENTS:

 

Two Typefaces for Headings and subheadings:

1) EASTERN/ASIAN (like current Rickshaw)

2) WESTERN/EUROPEAN COLONIAL (like current Caslon Antique)

MUST CONTAIN AT LEAST ONE OF EACH, IF NOT MORE:

 

  1. SOMETHING GEOGRAPHICAL (whether explorers, traders or luxury travellers)

Old maps, cartography symbols like galleons and compasses, nautical symbols, yellowing parchment paper, clipper ship, fancy cruise luggage labels from grand old hotels

 

  1. SOMETHING ARTISTIC (local art forms)

Architectural details (like shophouses, temples, atap villages); Sculptural details (like Angkor Wat figures): Textile patterns, fancy borders, wood carvings

 

  1. SOMETHING JUNGLY (plant or animal or both)

Bamboo, Palms, beaches, Padi fields, jungle, tropical fruits, spices, orchids; Elephants, tigers, cobras, monkeys, butterflies

 

And if can find a place:

 

  1. SOMETHING FROM COMMERCIAL/POPULAR ART

Trademarks from defunct businesses, matchbook covers, old photos, stamps, money, advertisements, signboards with different languages, old newspaper and book excerpts

 

 

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HOME PAGE - Centered Logo on Map background, with  copyright and viewing info.  All fits on one screen

 

Above logo, medium font Caslon Antique intro:

 

"Ahoy there!  You've run aground in the Flaming East…

prime territory for world-class explorers, swashbuckling privateers and [sniff!] the most discriminating of gentility's travellers."

 

Below logo, also medium font:

 

"Presenting our feverish vista onto the fringes of the South China Sea

-- or "INDIAE ORIENTALIS ET INSULARUM ADIACENTIUM," as those Latin-happy cartographers would have it -- from THE AGE OF DISCOVERY through THE GOLDEN AGE OF TRAVEL…

spiked with the delirium only a solid bout of malaria can provide!"

 

(* mouseover definition: "the East Indies and adjacent islands")

(*mouseover definition:  (1450-1650) an explosive sea-faring period of world exploration and East-West trade routes)

(*mouseover definition:  (1880-1939) from the Victorian era of the swift steamship to the advent of the modern jet age, when the allure of exotic ports of call dovetailed with technological advances…..and the entire planet became a playground for the rich and famous)

 

 

Mouseover box on Logo: "Whether you come via luxurious ocean voyage or that damn bumpy road to Mandalay, by trusty mail steamer from darkest Borneo or the night train to Singapore…all routes lead to the world of COOL ARTS SOUTH SEA. Click to enter."

 

 

 

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DIRECTORY PAGE plus LOGO

 

ICONS OVER ELECTRIC BAMBOO THICKET:

Each icon has a boldfaced title underneath and beside the icon, a description.  Plus a mouseover-box invitation.

 

Title: ABOUT US (Lady's head with superimposed compass)

Mouseover: Get oriented!

Description: The swiftest means to orient yourself in this mysterious domain.  Recommended for all maiden voyages.

 

Title: TERRA INCOGNITA (Steamer ship)

Mouseover:  Explore "unknown territories"!

Description: Investigate select venues and vendors, destinations and diversions, travels and tales.

 

Title: COOL ARTS (Mosquito)

Mouseover: Succumb to a tropical fever!

Description: Run amok with our biting look at art, literature and philosophy.

 

Title: ARCHIPELAGO TRADING CO. (Chest of drawers)

Mouseover: Dive into our treasure trove!

Description: Hunt through unearthed treasures and prospect in our jungle motherlode.

 

Title: GUEST BOOK (Elephant with chops)

Mouseover: Stoke the flames with your opinions!

Description: As a memento of your peregrinations with us, kindly leave your mark.

 

Title: POSTAL CARDS (Missent Postcard)

Mouseover: 'Wish you were here!

Description: Let your correspondents know how you're managing in the tropics.

 

 

Extended definitions of periods (to be placed in glossary)

 

THE AGE OF DISCOVERY (1450-1650)  Concurrent with the European Renaissance. With access to new sea-faring trade routes pioneered by world-class explorers like the Portuguese Vasco de Gama and Spanish Ferdinand Magellan, Europe enjoyed a massive expansion of trade with the Far East.  Eastern riches flowed into Europe: tea, sugar, cocoa, spices, gems, drugs, silks, embroideries and fine fabrics.

 

 

GOLDEN AGE OF TRAVEL (1880-1939)  The Orient's exotic ports of call became pleasurably accessible when two things happened almost concurrently:  the invention of the steam-powered ship (replacing the 19th century's far-ranging but slower sailing ships, the clippers) and the opening of the Suez Canal in 1869.  Not long after, a stylish Victorian Age phenomenon began to take shape: Extremely civilized round-the-world cruises complete with servants and steamer trunks became known as "Making the Grand Tour".  New status symbols cropped up: A suitcase full of fancy luggage labels marked the well-heeled and well-traveled person.  Luxury liners circumnavigated the world, disgorging their celebrity and high society passengers into fabled playgrounds, like Asia's grand hotels: Singapore's Raffles, Penang's Eastern and Oriental, Rangoon's Strand and Saigon's Continental Palace.

 

 

MATERIALS AND LABOR WE HAVE:

a great deal of historical and artistic images we can play with

a library of historical travelogues, and books on many far-ranging and pertinent topics

supply of researched materials, topics, phrases, the platforms for expansion into features, etc

our own images ready to go

rudimentary list of companies/ventures to approach for inclusion in the site, both online and off

registered domain names

registered Malaysian company

draft of proposal letter to featured companies to enlist their cooperation/collaboration in portal/ebiz

Site Development schedule in three phases

metatext and comprehensive list of keywords for search engines

writing and design talent/capability

scanner, color printer, photoshop, corel draw, dreamweaver, hotdog web editors

 

MATERIALS AND LABOR, etc WE DON'T HAVE:

Technical resources and state of the industry experience

Coding:  html, java, cgi and others for all pages including mockup of site theme

Programming for Postal Cards (to send or bring recipients to site to pick up)

Programming and database institution for Guestbook

Server (requirements, location, etc)

Ebiz solutions and related support and guidance, including advertising and promotion

 

 

 

 

Cool Arts South Sea Products

Cool Arts South Sea Logo by Anastasia AshmanProduct copy from a web venture in development, 1998 Description of Product Line:

We intend to offer a spectrum of products from the affordable and funky, like T-shirts and stationery items to pricier items like clothing, jewelry and home furnishings based on more regal traditions and of finer quality materials, including original art. All will sport cool, informative labeling which places them in the proper Cool Arts historical context, making them perfect for gift giving. No explanations needed!

We envision Cool Arts South Sea products as intelligent and hip travel mementoes, ideal for all visitors to this region, whether real or of the armchair variety! Our products will not be typical tourist items, the things that are easy to find in this part of the world but dreadful to own and use, like those crudely decorated sarongs tied in inverted nooses around the necks of hotel lobby mannequins; like plastic keychains with scorpions imbedded in them; like woven and varnished tea trays. This kind of merchandise is already available, as are more traditional handicrafts made in villages all over Southeast Asia. We mean to provide an alternative to both these souvenir and gift options: by designing our own products; by sourcing appropriately themed products from other companies; and for gathering and putting our value-added spin on any pre-existing items which happen to catch our fancy. Whatever we chose to offer, from the authentic to the fabricated, be assured Cool Arts South Sea products will be accessible and fun while giving you the distinct impression you're somewhere exotic, in the middle of it all. Cool Arts South Sea Products For instance, our clothes will be geared to individuals interested in traditional outfits, the kind you might see the locals wearing in Vietnam, Burma and Malaysia but not know where to find, or modified pan-Asian outfits which can make the transition into your life without excessive drama -- at least emotionally. That is, you'll be dramatic but you won't feel strange.

FABULOUS SILKS Just an example of the local treasures awaiting your hot little hands: these elegant and wildly-designed, one-of-a-kind, batiked brocaded silks lend themselves not only to the traditional and hybrid Malay women's jacket-and-sarong sets known as the kebaya, but also translate auspiciously into luscious western outfits. Although such silks are often glimpsed worn casually, they remain unfailingly formal -- the dress shirts for men constitute a high-style variation on the national dress.

Mimicking The Fireflies: Kuala Lumpur By Night

Anastasia Ashman in GOING PLACES for Malaysia AirlinesIn most parts of the globe the setting sun signals a natural winding down of the day's activity in preparation for rest and renewal.  As the sky darkens and shadows grow, tucked-in babes embark on dream-filled journeys.  Although no early-riser, often I am not far behind.  Yet in sultry, equatorial Kuala Lumpur, or KL, I find it just the opposite. At twilight both I and the city seem to awaken from our heat-of-the-day slumber, refreshed and full of plans. And my fellow bedtime buddies, young boisterous children, are seen and heard at KL's nighttime establishments, accompanying their families as they all partake of the temperate breezes.

Many others seem enlivened as nightfall offers its welcome change to the heavy tropical air.  The sound of electric generators and motorbikes add their man-made whine to dusk's cacophony of enduring inhabitants: the cicadas, bats and bullfrogs.  Just as the forest has its set of nocturnal creatures, so too does KL's city-within-a-jungle.

While city-slicking, storm drain-dwelling bullfrogs make their amorous presence known at twilight, energized Malaysians begin their zip around town. Checking the air for signs of a cool current, pedestrians emerge from the steelwork of office buildings and exhibit a new briskness of step on the illumined streets.

Meanwhile, veteran teksi drivers and suburban commuters alike leave a swift streak of red tail-lights in their wake, inspired less by the dropping temperature than evening's empty stretches of road, a rarity during sluggish, traffic-logged daylight.

KL's night shift shows its face: packing the sidewalk restaurants and coffee shops, and thronging popular pasar malam night markets.   In narrow alleys, deserted parking lots and commandeered thoroughfares like Chinatown's Petaling Street and Bukit Ceylon's Jalan Alor traders begin a ritual.  Vans and lorries are unloaded, makeshift tables and generator-powered lights assembled, wares laid out to best advantage. As fire is lit under a hawker's huge wok, stirred chili padi peppers release their arresting oils, contributing an acrid accent to the city's medley of night scents.

Is that a whiff of durian I smell, the swamp gas King of Fruits?

Elsewhere in the low-rise shadows, delicate night-blooming jasmine wafts on the breeze, a chance treat from tended but unseen garden pots cluttering tiny urban balconies.

When I ramble through the dusky streets, taking in the sights and smells -- and an unexpected bowl of Hokkien prawn noodles, for no Malaysian excursion is complete without an unscheduled food stop -- I often become engrossed in a miniature nighttime ballet. Close to the dazzling night lights, there gather flurries of flying insects, reeling from the amperage of KL's street lamps shining brighter than the jungle moon ever has.

Omnipresent and waiting nearby are their foes, the predatory and gravity-defying cicak lizards. A small taupe one advances with measured steps, sometimes to battle for territory with its fellows, other times to corner a fluttering, light-stunned prey.  Then sated and heading home over a backlit acrylic shop house signboard, the lizard's transparent skin reveals its inner-workings.

Yet KL's real nighttime spectacle takes place on a grander scale, one best viewed from a passing car, or a skyscraping lookout. A perfect vantage point graces Bukit Nanas Forest Reserve in the heart of the city's Golden Triangle district, the Telekom Tower.  This third-tallest radio spire in the world offers a sparkling panoramic view of the Klang Valley, complimentary with a tasty dinner.  The reverse prospect isn't bad either with the pale mauve edifice a visual triumph in its own right, observation decks glistening like gems in a jeweler's setting.  At its darkened base, high-rent monkeys doze in their precious parcel of virgin forest.

Nearby, the fashionable pylons and sky bridge of the world's tallest structure, the Petronas Twin Towers, blaze as they pierce the clear night sky.  The KL City Centre monument is awesome at any distance, yet its height is most unfathomable when one looks up from the sprawling park at its foundation.

But look up I must, until a crick in the neck and the park's ground-level features seduce me away.

A favorite gathering place in the evenings, the clean wide esplanade offers the perfect runway for a popular tropical evening institution: after dinner strolling cum people-watching.  The humanity spectrum is broad here, with business people from the surrounding corporate neighborhood still crisp from their office work; perfumed shoppers laden with packages spilling out of the glittery Suria KLCC mall; and sightseers from nearby kampung villages and far off countries, drawn by the world famous landmark, like moths to a flame.

Meanwhile, the jogging pathways meandering through a grove of replanted ancient trees attract courting couples who cease their sweet nothings to admire the ever-morphing fountain sprays and attendant laser show.

Across town at the convergence of the Klang and the Gombak rivers, what is the birthplace of Kuala Lumpur, stands a glorious nighttime exhibition of more human proportions.  Bounded by a procession of colonial buildings full of both history and life, Dataran Merdeka, or Independence Square, has long been a beloved circuit to saunter of an evening, as well as a chosen site for national gatherings.

Taking a turn around the padang field, I soak up the historic mock-Tudor Royal Selangor Club with its raucous, patron-brimming Long Bar.  The Club's wide verandah looks out onto its famous cricket field and beyond that, to the fanciful domes, arches and spiral staircases of the Sultan Abdul Samad courthouse.  Stunning during the day, at night the eclectic Indo-Arab details of this 1894 justice building are transformed into a three-dimensional wonder of light.

The Moorish architectural influence continues downriver, where the fantastic and light-hearted 1911 Railway Station is a feast for the eyes.  Cupolas, turrets and keyhole arches are so reminiscent of a childhood carnival ride I half expect a little train to rocket through the arches, filled with squealing people.

Nearby the appealing lattice work high-rise Kompleks Dayabumi provides a twentieth century translation of Islamic design while the nation's site of worship, Masjid Negara, sports chic international style architecture.  And overlooking everything from the Lake Gardens hill above, the National Planetarium echoes the mosque's color scheme, its blue dome and white observation tower peeking over the tree-tops.

Yet further downstream on the outer edge of the city there awaits a most meaningful nighttime phenomenon.

Fronting the King's Istana, the official seat of Malaysia's royal ruler, techno-festive strings of lights dangle like ethereal tendrils from the broad branches of tall and seasoned trees.  In a moving and masterful embellishment, the city fathers here seem to mimic the cascading roots of nature's mighty banyan -- and the incredible, magical blazing created when forest fireflies gather by river's edge. The tribute is palpable. Behind its gilded portal, the golden palace gleams in silent, awestruck reflection of a brilliant equatorial moon.

This rejuvenating starlit experience will redeem me tomorrow when I oversleep the chilled and dewy dawn.

+++

This appeared in Malaysia Airlines' inflight magazine GOING PLACES.

Nyonya Cuisine For Far Eastern Economic Review

This appeared in the Far Eastern Economic Review magazine May 21, 1998 Fabulous Fusion

Jonkers Melaka (17 Jalan Hang Jebat, Melaka, 06-283-5578) Bon Ton (7 Jalan Kia Peng, Kuala Lumpur, 03-241-3614 or 241-3611) Bon Ton At The Beach (Pantai Cenang, Langkawi, 04-955-3643 or 955-6787)

T he multiculturalism of Malaysia can be downright delicious, if you know what to look for. After sampling the country's superb Chinese, Malay and Indian fares, turn your attentions to Nyonya, a definitively indigenous cuisine, which, like all good secrets, delivers a rich reward.

A scarce but savoury vestige of an illustrious Malayan sub-culture, the Nyonya culinary tradition rates among the country's most creative. Complex, labour-intensive Nyonya dishes spring from the Peranakan, born in 15th-century Malacca when Chinese traders married local Malay women (Nyonya). Although their offspring identified themselves with the Chinese, many of their customs mixed the best of both traditions. Chief among these was their food, which some describe as Chinese in spirit and Malay in form, with ingredients dictated by Chinese tastes (and religions), while the spices and preparations are traditionally Malay.

This cultural fusion explains why chillies, cinnamon, pungent roots and grasses, tamarind and coconut milk have found their way into dishes with such stolid Chinese staples as pork, mushrooms, soy sauce and bean curd.

Towards the end of the 19th century, the Peranakan culture reached its pinnacle both in Malacca and in the other British Straits Settlements of Singapore and Penang. Genteel communities of Straits Chinese flourished in ornate terrace houses, their marble-topped tables laden with unique concoctions prepared by the Nyonya and her legion of servants.

Revelling in high-calibre culinary artistry, Nyonyas refused to cook simple Chinese dishes like fried rice, proclaiming it too easy. This feisty and hybrid tradition is highlighted at a trio of stylish eating establishments in Malaysia which specialize in the blending of cuisines.

With three exceptional locations and one highly inventive owner, the decade-old Bon Ton restaurants have inspired gourmet pilgrimages among their clientele. For, while the venues share many aesthetic characteristics, along with gift shops and links to the local arts community, they stand alone in their singular settings and menus. All excel with innovative East-West fusions, including astonishing desserts--and have played an important role in rescuing from obscurity old-style Nyonya dishes. The uncommon recipes were provided by the copious culinary memory banks of two Malaccan Nyonyas, one a descendant of the Jonkers household.

Jonkers Melaka, located in an exquisite 90-year-old Nyonya house in the heart of historical Malacca, is an ideal spot for refreshment during a day spent pounding the pavement in search of antiques, the oldest Chinese temple in Malaysia or the replica of a Portuguese man-of-war docked nearby.

Initially you'll be stunned by the naturally cooling features of Peranakan architecture until you dig into the current week's medley of Nyonya favourites. Dry curry-beef rendang provides a sweet counterpoint to fern tips or hollow-stemmed morning glory stir-fried in ubiquitous prawn paste sambal belachan (which raises a heavenly stink while cooking, eventually settling down to an inimitable fiery fishiness). The lemongrass chicken is wrapped in the extensively used pandan, or screwpine leaf. Acar, a zesty chutney of crisp cucumber, onion and pineapple, edges a mound of delicately flavoured coconut rice nasi lemak.

Bon Ton in Kuala Lumpur is a society favourite. Housed in a latter-day colonial bungalow in the heart of the city's Golden Triangle district, the restaurant boasts a comprehensive wine list in addition to theatrical, teak-furnished dining rooms.

A good bet is the broad-spectrum Nyonya Special, which includes charming Top Hats (deep fried pastry baskets filled with shredded yam bean, carrot and prawn with a hot and clear dipping sauce); prawn and mango curry; mutton with potatoes; and a piquant braised eggplant alongside nasi kemuli (cinnamon-tinged Nyonya wedding rice). Finish with the oddly comforting and old-fashioned bubur cha cha (cubed yam and sweet potato, white beans and bananas in a warm gravy of coconut milk).

Bon Ton At The Beach, a romantic open-air restaurant, is the hottest dining destination on the legend-rich resort island of Langkawi. A field of windswept coconut palms and beach chalets of century-old Malay timber houses surround the restaurant; hurricane lamps illuminate it as ocean breezes grow brisk after sunset.

The exuberant laksa lemak (yellow noodles in a spicy coconut soup, topped with chicken, prawns, ginger buds, cucumber, omelette and red chilli) should leave you just enough room for dessert. Your choice ranges from the classic cendol (a mountain of ice and coconut milk burying kidney beans, palm sugar and the neon green pandan noodles) to decidedly avant-garde East-West confections like the coconut cream caramel adorned with mango and ginger glass biscuits.

 

Law Of The Jungle: Milquetoast In The Malaysian Suburbs

I may live in a plush suburb of Kuala Lumpur, but being a First World transplant in a newly industrialized country, I spend most days simply surviving.

Semi-polished Malaysia is a confusing and paradoxical place, rife with hardscrabble hazards. As an American -- spoiled by a high standard of both development and social contract, balanced by the threat of world-class legal recourse -- I am unprepared.

Every step presents an adventure as civilization unevenly veneers wilderness, the ground itself quicksand.

Consider head to toe casualties of an innocuous invitation to lunch, for example, from ego to footgear.

In a booming land often untroubled by zoning regulations, meeting friends at a prominent equatorial hotel may unexpectedly require a swampy trudge through the mosquito-infested construction site separating the elegant establishment from the main road, strappy suede sandals intended for marble floors providing meager protection.

But perhaps even more startling than the region’s frequent ambushes on both my natural instincts and established convictions is the chronic role I play in this survival game:

I am perpetual prey.

 

When planning a whimsical, open-ended trip to Southeast Asia from the dream-factory comfort of my home in Los Angeles, I projected with my sterling education and big city experience I would cut through local rustic life like a machete-wielding explorer clearing a path through ancient undergrowth.

There would be culture shock, surely, but nothing perilous.

How could an entire rainforest of a country, sixty-percent untouched wilds and the rest sparsely populated by 20 million people, compare to the gritty intensity of life in that untamed concrete jungle of New York City, a hotspot I’d already survived, if not conquered?

I not only miscalculated the proportion of predators per square kilometer in this mountainous green peninsula, I misjudged my strengths. Instead of useful skills and equipment, the professional and personal properties I brought with me hindered my progress and exposed me to the bitterest situations.

I couldn’t hack through any obstructing foliage with the Bryn Mawr Honor Code.

Once the high-minded “no lying, no cheating, no stealing” system afforded me the freedom to leave my backpack without incident anywhere on the suburban Philadelphia college campus and to complete my exams unsupervised, but it was hardly a weapon – or a shield. Stretches in New York and Los Angeles may have awakened my general security habits, atrophied from collegiate ethics, but I can’t say I’m prepared to face unbridled depredation in the real world.

My classical archaeology degree was no tool of success in a developing nation where the past is swiftly being razed and architectural conservationists fighting for World Heritage status are pests for authorities and property owners aching to level historic and crumbling settlements for profit.

My muscular command of the English language, a skill which had clinched opportunities and pulled me out of tight spots before, won me no particular allies in the Asian tropics nor was it a translation aid in communicating with the natives.

Previous prolonged exposure to professional entertainment media, producing and administrating studio motion pictures, Broadway and television shows didn’t inoculate me against the rabid tradition of amateur hour, otherwise known as karaoke, nor the backward entertainment industry’s endemic third-rate productions and pirated material. Instead, my allergic reaction – symptomized by general irritability and catatonia, lack of enthusiasm while warbling La Bamba into a microphone or pawing through DVDs of the latest Hollywood releases at the pasar malam night markets -- was heightened.

Other personal provisions were stripped from me by force, or discarded as useless.

A Northern California background, values marked by non-conformism and far-left political correctness, was no compass for a conservative landscape where children are segregated and schooled by race and religion, and classified ads for jobs, housing and advanced education baldly specify the race, sex, age and religion of those who can expect to receive preferential treatment.

Here Malays call themselves Bumiputera, or princes of the earth, and Chinese people refer to themselves as ‘Chinamen’. That's a term I would have been disciplined for using as a child and when I type it today, my Pacific Northwest spellchecking program reminds me I am way, way out of line, suggesting I substitute ‘cinnamon.’

Here  I am automatically designated "white", upsetting a lifelong resistance to America’s own crude race option of ‘Caucasian’. There is no use for my more nuanced self view of being ‘Indo-European’. Besides, what difference could it make to people who presume I’m exactly the same as every other light-complected person who ever set foot in these latitudes, and more recently, whoever crossed their path.

So along with a new cultural classification, I now hold a fresh history. I wear the mantle of red-haired people, Dutch and British and French colonials, stinking privateers and planters, pompous district officers and butterfly-chasing naturalists, decadent drug-addled Orientalist writers, American expats flush with corporate money, and beer-drinking young backpackers who take their tops off after a few.

And my aesthetic treasure map – arty West Coast upbringing’s penchant for clean Japanese design, natural fibers, sensual incandescent lighting -- did not match the landscape in modern Southeast Asia.

Here ascetic living is rarely a style choice, plastic is the craze, and harsh green fluorescent lighting is preferred over illumination that might generate more heat.

So, weighed down with impractical baggage and unschooled in the wily ways of the jungle, from the moment of my arrival I have been fresh meat for stealthy indigenous hunters, a wrong-thinking creature captured unaware and defenseless in alien territory. I even set traps for myself, behavior a terrible tangle: Nerves snap when the situation calls for pliancy, I telegraph approachability when being inscrutable and remote would achieve a better result.

If I had disembarked as an insulated expatriate under the aegis of a multinational company, doubtless palms would have been crossed in advance, maps drawn, guides and porters waiting – and, ensconced in a world geared to my needs, none of this would matter.

Instead, I was a corporate nonentity on a tiny budget, accompanying an ethnic Chinese but Malaysian-born companion who had grown unaccustomed to the country after decades abroad. Along with his mother-tongue, he had forgotten many other crucial details, including that the Chinese are second class citizens in Malay-controlled Malaysia.

My life was to be couched in the local ways without benefit of street savvy. I was about to be eaten alive.

 

First, enroute from Tokyo, the national airline misplaced my brand new Ping Zing golf clubs and Plop putter, still pristine in their factory boxes. I promptly filed a claim at the Penang airport and trusted the airline bureaucracy to locate the missing equipment.

Instead, the huge corporation slumbered for weeks, deflecting my earnest attempts to follow up at one branch office after another like an elephant brushes off a tenacious fly. Finally, the mailman brought a form letter telling me what I already knew: the clubs were gone. The sensation of blasé victimization mushroomed when I read the airline’s offer of compensation for my loss: Ringgit Malaysia 48 (less than $20USD) per kilo, reducing the worth of my state-of-the-art clubs to their weight in ultra-light graphite composite.

Then my ship came in.

 

The vessel that carried all my worldly goods over the Pacific Ocean anchored in the Port of Penang, an island state off the northwest coast. In meetings the weeks before, my boastful local freight forwarder, a chain-smoking Chinese character named K.K., clad in Camel cigarette brand khaki safari suits, dismissed my worried-white-woman questions about port procedure and protocol, saying, “Leave it to me, it’s always the same.”

So I don’t begin to know the details but when he failed to show up at the Penang container yard to represent me and my interests, the unattended household container was ransacked by customs officers with the abandon of rampaging chimpanzees, to judge from the scene when I arrived.

After rending boxes from end to end and strewing delicate computer peripherals and precious belongings across the hot tarmac, like mischievous primates they pilfered lightweight shiny trinkets, Ray-Ban sunglasses and Harley Davidson keychains. Later, when my jumbled container was opened in front of my suburban Kuala Lumpur home, family heirlooms skittered into the sludge-filled storm drain.

The silent Tamil moving crew, neon yellow uniforms florid against their dark skin and bloodshot eyes, pretended not to notice. The only woman on the scene, the only foreigner, the only hysterical person, I climbed down to retrieve my things from the muck, not knowing what dank-living creatures I might meet, nor what distress signals I was emitting to the entire zipcode’s blood-thirsty leeches.

Within a few weeks my new pedigreed puppy, romping in the sunshine of my ‘padlocked residential compound’ known in the United States as a gated front yard, was whisked away in the jaws of another predator. A snapping, snarling Rottweiler of eight weeks, the ink on her pedigree papers not yet dry, the Little Brontosaurus Kid’s fearsome promise attracted the marauder she wasn’t mature enough to dissuade.

My Malaysian friends sighed and said it was to be expected, the dog was 'too nice'.Too nice for a trusting milquetoast like me to hang onto.

Later I discovered they were right, it was to be expected. An article in The Malay Mail, a tabloid newspaper specializing in grievances of the common man, reported that a dog theft ring had been operating out of my suburban, not-particularly-criminal neighborhood, stalking RM30,000 worth of well-bred canines in the time I lived there.

Cut-throat dupings and uncivilized endangerments permanently enflamed my pampered sensibilities.

Soon it didn’t matter whether the offense was personal or to my environment, or to society as a whole. The government, the press, the business community! The health care system, the food service industry, the tourism trade! The injustice, the danger, the rudeness!

I squawked and squealed to everyone who would listen and many who wouldn’t. Some local counterparts who had experienced mountains of loss and hazard sympathized, but no one recognized or mirrored my particularly American need for restitution, for justice.

“It happens,” my boisterous neighbor Tuan Tin would sagely explain, nodding and absorbing my bad news. “You can’t do anything,” she’d finally blurt if we talked long enough, quickly daubing her tears as if her tattooed eyeliner would smear.

But Tuan Tin the Buddhist did think a person could do something. She changed her faith to raise a young son stricken with leukemia, embracing Christianity that offered him a rose-colored future in heaven with the son of God – rather than Buddhism’s projection that if he lost his struggle with this life he might be reincarnated as an ant.

No jungle mother wishes her son to become a lowly ant. And so it is in sink-or-swim Malaysia: certain beliefs offer rosier futures than others.

I had wondered how Malaysians maintained their refreshing naïvete in the face of spirit-crushing jeopardy and now I knew. Benign acceptance of life's treachery is an integral aspect of the sunny Southeast Asian disposition.

My neighbors and friends and strangers I read about in the newspapers seemed to possess a mastery of personal tragedy and disappointment in their fellow man, fortitude in situations of over-exposure and lurking menace.

Over the years, I must have heard it all.

  • In the southern state of Johore, just across the causeway from civilized Singapore, massive python nests discovered near residential complexes where children daily played in the tall grasses;
  • tiger maulings in remote village kampungs on the Thai border;
  • regular outbreaks of water-contaminated typhoid and mosquito-borne dengue fever;
  • children in the East Malaysian state of Sarawak perishing in an epidemic of a particularly lethal strain of the Coxsackie virus; expensive apartment towers unsoundly built on spindly legs over a riverbed in Kuala Lumpur collapsing, crooked contractors on the lam;
  • suburban elevators that suddenly plummeted, taking high-rise dwellers to their parking-garage demise;
  • the densely populated Klang Valley subsisting without running water for weeks during a dry-season drought, while Olympic-size swimming pools were kept filled for the hosting of the splashy Commonwealth Games;
  • rare wild cats struck by cars on country roads, hauled off by an unfindable Chinese person before the wildlife officials arrive to take custody, the endangered animals’ organs possessing aphrodisiac qualities;
  • monsoon storms uncovering barrels of toxic waste dumped illegally at the expensive island beach resort of Pulau Pangkor, yards from where uninformed foreign vacationers lounged on the sand.

As much as these scandals were reported in the paper or whispered at kopi tiam neighborhood coffee shops, it seemed no one took further issue with the government or their employer, their landlord or their doctor, no one threatened to sue or strike, quit a rubber-tapping job or moved away from the palm oil plantation.

Apparently, being cheated by a merchant or eaten by a tiger or flattened by a speeding bus are legitimate events governed by the preeminent system in these parts, the law of the jungle: Eat or be eaten.

My resilient Chinese acquaintances, sure to point out that their immigrant brothers can be found thriving up the smallest river in the darkest corner of Borneo, have an expression for this zealous phenomenon. They call it kiasu, “afraid to lose” in the Hokkien dialect.

A survival attitude that can seem like a complete lack of generosity or respect for others, the syndrome is in full flower in Malaysia and perhaps most obvious on the roadways.

An attempt to merge into another lane will compel the car behind to speed up, horn blaring, in order to pass first, as if breathing your exhaust is the kiss of death.

Even down south in the land-poor island republic of Singapore where the culture is kindred but the jungle is less immediate a threat, paved over and fenced in, being kiasu is still part of life. It’s shrunk to a vestigial trait – and likenesses of Mr. Kiasu, a grasping self-centered Singaporean comic book character, grace the bumpers of luxury cars on the republic’s orderly one-way boulevards.

But in Malaysia’s rural areas and urban centers, equatorial wilderness is no faded notion, no gimmick for the national tourism board to exploit.

Here in the former Third World the jungle still rules and inhabitants face the endurance game with gusto. I must admire the Malaysian brand of fearlessness, although I cannot help but wonder whether I mean foolishness.

Throwing themselves headlong into traffic circles congested with over-laden, careening lorries and reckless motorcyclists, they navigate situations that give me a vehicular-induced migraine. Faster vehicles bump cyclists and pedestrians into squalid gutters while pedestrians scurry with packages and babies across dusty highways in the blistering heat.

In their neighborhoods they face a gauntlet of hazards while doing errands, going to work and school. In flimsy, open-toed sandals urban jungle-dwellers weave their way through tetanal conditions for which this sissy Westerner considers construction boots sine qua non -- sidewalks blooming with rusty metal stumps of defunct street signs.

But the most consuming phenomenon, at 4 degrees North of the Equator, is the invisible march of the tropics: life and death cycles of spores and microbes, accelerated by a steamy atmosphere.

If they sit in the closet for a week or two, green fungus grows on my leather shoes and ages my handbags, dulling their buckles and imbuing the smell of must.

Microscopic organisms stain the pages of my books with veiny brown splotches, and under the glass of framed artwork, blemish cream-colored matting.

My college diploma now appears to be an antique.

Wood furniture oozes crusty white sap, while piles of sawdust appear on the floor under chairs and couches, microscopic organisms eating everything in their path.

Thick moss grows overnight in the storm drain out front and mildew darkens the exterior of my house, buckling freshly-applied anti-fungal paint.

Whether indication something is dying or something is growing -- or both -- the tropical face rot is world class.

During muggy New York summers I used to suffer from a seasonal outbreak of acne that I theorized sprang from walking the city streets, sweating and accumulating layer after layer of powdery black carbon monoxide. To cheer myself up, I imagined the worst and called it tropical face rot.

But in the perpetual August of Kuala Lumpur, a trip to my local dermatologist for the same condition gets me no respect and no relief.

Statuesque Dr. Singh, a Sikh in pristine lavender turban and smooth olive skin, holds a magnifying glass to my epidermis and assures me I need no medical treatment. He sends me away with oil-dissolving cleanser.

Dr. Singh knows tropical face rot when he sees it, counting among his patients those in rural Kelantan, the northeastern-most state, victims of the flesh-destroying disease leprosy. Once leprosy patients were easier to find near Kuala Lumpur, leper colonies surrounding the city.

Now dwindling leper villages are taken over by a new growth business, plant nurseries for the nouveau riche.

After decades of beating back the jungle, in densely settled areas greening one’s property is a cutting edge practice. Tiling over their compounds for easy cleaning and felling trees since the shady, oxygen-producers attract loud dirty birds and the egg-eating snakes that follow them, suburbanites repopulate properties with greenhouse-grown varieties of docile plants. Favored is the papery-flowered Brazilian vine bougainvillea since it doesn’t attract birds or bees with a scent, drip nectar or soil the walkway with whatever sticky juice more succulent plants spit.

Envisioning myself the great white planter-cum-naturalist in the denuded suburbs, for my small patch of land I yearned to create a sanctuary of bird-friendly fruit trees and night-blooming jasmines, exotica impossible to grow in cooler, drier climates.

I’d be the genius who drew brightly-colored jungle birds and big-winged dragonflies back to the neighborhood.

Capriciously, I planted a mountain banana culled during a four-wheel drive weekend trip into the interior. No sooner was it in the ground than it started attracting trouble.

“Evil spirits live in mountain bananas,” my professional Malay neighbor Khatidja warned through our Cyclone fence. “Better to get rid of it, yah?”

But instead of heeding animist jungle wisdom I dismissed her alarm as lowland, big-city snobbery.

Besides, my Collins Field Guide to birds of Southeast Asia said Arachnothera flavigaster, or spectacled spider-hunters, built their nests on the underside of banana leaves at this elevation and I wanted to encourage that. The three foot stalk grew with ferocity, fruiting faster than I could distribute its petite orange bananas or make breads, cakes and frozen drinks. Sturdy shoots with elephantine fronds may look spectacular on a verdant hill-slope or rimming a muddy river but made my place the neighborhood eyesore, tropical equivalent of a wrecked car up on blocks. Within three months the wild baby banana towered nine feet, overtook the yard with new stalks, required constant pruning of dead leaves, cut the light coming into the house, and had to be uprooted by an itinerant handyman with a pickaxe.

But my quest for butterflies, birds and blooms wasn’t going to be diverted by a rogue mountain banana that may or may not have been haunted, so I consulted the experts. The Malaysian Nature Society’s bird watching group publishes a list of indigenous flowering plants and birds they attract. I settled on the sweet-smelling ylang ylang Cananga odorata but for an unexpressed reason nursery after nursery neglected to cultivate the tree. The five foot tall sapling I later planted was shamefully ripped from its natural place in the first growth rainforest by an enterprising garden supplier.

Armed with binoculars, I was now ready to catch sight of Nectarinia zeylonica, the purple-rumped sunbirds that would materialize just as the spindly white flower buds matured. But on the eve of each flower cluster’s opening, its branch was crudely hacked by an anonymous, superstitious neighbor. Perhaps it was that faceless individual across the street who rings an eerie bell five times a day, shadowy figure illuminated by a lone candle, or the middle-aged yuppie who practices his golf swing on his tiny patio every evening. Regardless, I consider myself a failed planter, and no naturalist in my own neighborhood.

I’m no environmentalist either. I have a limit when it comes to legions of bugs.

It’s clear that we are the intruders in insects’ lives and on insects’ turf, our mouths, eyes, noses just new realms to explore but instead of embracing the flying and crawling wildlife, I try to keep them out of my vicinity.

When I was a California girl I pored over green ways to clean, the awful details of toxic paint, EMFs and sick buildings, but now I contract an exterminator to spray a deadly malathion solution around my house and garden on a regular basis to combat ants and termites, aphids and cockroaches. The fact that the sprayer has three thumbs, a birth defect, serves as a monthly reminder to me of the world I am fostering.

Sometimes the peril for me lies not in being devoured but in finding my own daily sustenance.

Insects and microbes rule so jungle guts have grown as hardy as jungle soles.

No one sends back to the kitchen a bowl of soup with a fly in it.

Squeamishness could sound a person’s death knell, whether by over-excitement or starvation or both. Detection of the dreaded rat urine-borne Hantavirus at one of the capital’s major food courts did not affect its popularity nor require it to be closed for extermination and testing purposes. Intrepid jungle-dwellers scarf down dishes prepared by sidewalk hawkers who operate without the benefit of soap and running water, without refrigeration, without covering food from the elements – like the concrete dust drifting over from the construction site next door.

Sometimes I wonder if I am overreacting like a prissy Puritan when I cannot finish my meal after a trip to a particularly bad restaurant bathroom, a bare room with a concrete floor and a bucket of water which, when poured on the floor, snakes in an open drain past the cooking area. Or am I simply the insomniac product of alarmist U.S. media?

As an American I admit that I am burdened with an E. coli information overload, but I am not sure if all this science-based survival information shields me from danger any more than the ignorance of it protects the unconcerned people around me.

Despite outstanding questions, I have survived five long years as fresh meat for the elements, the mosquitoes and the microbes, my endurance fueled by the desire to overcome local life’s obstacles, and falling short of that, being mired in the fatalism of the forest.

Every day I undergo a battery of wilderness precautions, slathering on repellents and sun-blocks, strapping on serious head- and footgear. Making sure I'm carrying enough water, towels, extra supplies, I scurry along suburban walls like a rodent, avoiding the midday heat and blistering rays. On trips abroad I trawl through adventure stores for the latest in jungle trekking equipment, floatable sunhats and collapsible canteens.

In this oldest rainforest in the world, untouched by the Ice Age, specialized jungle gear is not for sale since the natives don’t need it. But fragile foreigners like me do, just to survive the suburbs.

And, like most of the world’s vulnerable creatures eventually do, I’ve developed a prickly exoskeleton to shield my soft innards. I’ve earned my special place in the ecosystem, striking hard and fast at the first sign of trouble from landlords and airlines and resort-operators. I put my counter-attack in writing and raise the alarm, sending a copy to the paper of public grievance, The Malay Mail. Casting a spotlight stuns the predator and slows the plundering, but I have not found a way to completely stop the human depredation, nor accept it.

So while nature’s laws have gained my full respect, man-made cataclysms still have not.

Walking around the shops one sun-drenched noon I slipped into a typically uncovered monsoon drain, substandard concrete returning to its slippery component of sand under foot. Just another victim of the country’s noxious civil engineering, there was nothing to be done and no one to call, except perhaps a friend to drive me to the nearest medical klinik.

“Everyone falls in, don’t you worry,” the Dr. Azreena assured me as she cleaned my exotic-looking but painfully pedestrian gash. She's probably right since ungrated three- to ten-foot deep drains surround residential and business blocks like steep-sided concrete moats, separating people from everything they need to do.

As I rub on vitamin A oil to speed healing of the five inch wide rectangular wound, I fantasize about a conquering tribe that will cut the swath through this jungle that I will never be able to.

A tribe that survives and grows strong on folly like uncovered drains and plummeting elevators, improper food handling and toxic dumping: lawyers. Not like the Malaysian breeds, bogged down in insipid real estate rental agreements or stalking around British courtrooms in powdered wigs and black batrobes, but the hungry, late-night television-advertising ambulance-chasing strain from the U.S. Malaysia is a paradise of prime litigation just waiting for a new rule of law.

In the meantime, when my friends in the States -- who picture me a wild adventuress in a pith helmet regardless of what information to the contrary I reveal about my life -- notice the huge indented mark on my leg, I have the option of glamorizing its far-flung cause: it does look a lot like a shark bite.

In fact, I'm lucky to be alive.

+++ Variations of this appeared in The Expat magazine in Singapore, Men's Review magazine, and Agora web portal for international living and studying.

Sunset Strip

"All you'll have to do is be your pretty self," the fiftyish fat man assured her with a big smile. The hint of a fatherly wink.

"Go places with me. Premieres and parties; entertain people you need to meet anyway." His tone conspiratorial.

"I'll be back on this stretch in twenty minutes. You can give me your answer then."

He gave the caramel-skinned girl on the curb a nod and leaned back into his plush leather driving seat.

The rising tinted window cut off the young woman's view of his tanned and balding head as he surveyed the traffic behind him on the boulevard.

Then the Rolls pulled away, joining the other cars heading toward Beverly Hills that scorching Friday afternoon.

Hair halfway down her back, her dancer's body clad in black lycra, she took a stumbling step backward.

Her eyes followed the sedan until it rounded the bend at the Chateau Marmont.

She suddenly became aware of her parched mouth, and swallowed hard.

Digging a bottle of water out of her bag, sweat began to trickle down her neck underneath the mound of steamy hair.

Somehow the stranger had keyed into her wrecked state of affairs.

The 24 year old Midwestern girl dropped onto the bus bench.

A good head on her shoulders, university degree in French literature, a loving family and largely untapped performing talent.

Hers was not a sad story.

He appeared clean, well-spoken and sympathetic.  He seemed successful.  He was even handsome in that older man kind of way.

She glanced at her watch.

Jamie’d been in Hollywood seven weeks. Seven short, eventful weeks.

She’d arrived pretty high on herself. Triumph with a dance troupe in Amsterdam made her feel she could do just about anything.

She understood Hollywood ran on connections and thought she had a pretty substantial connection herself.

One of her high school friends, a music video director, had promised to facilitate introductions to talent agents, producers and directors. Terrence invited her to stay at his beach house while she hunted for an apartment.

Jamie didn't have much money, but after improvising before -- in Europe, no less -- she figured Los Angeles couldn't be all that much tougher. She had a cushion of a couple months.

Terrence had picked Jamie up at the airport in his convertible Miata. The night air was glorious and she imagined she could smell eucalyptus. Even the head and tail lights of cars on the freeway looked like art.

She was jetlagged, and loving being in Southern California.

Terrence gave her a few tips about neighborhoods as he parked the car, made some casual references to the people he'd introduce her to while carrying her bags, and then showed her to the guestroom.

Great, great. She sank into the soft bed, delirious for the next chapter of her beautiful life.

Bright sun flooding the room woke her, and as she lay there trying to get her bearings, she could make out the sound of the surf punctuated with barking of dogs and chipper voices.

She looked out onto Santa Monica Bay with its strip of boardwalk filled with neon garbed joggers and rollerbladers. The palm-lined bay arched towards the craggy cliffs of Malibu, a deep brown against the clear blue sky.

Paradise.

She hugged herself. It was really happening.

On the kitchen table in Terrence's antiseptic bachelor pad, she found a note and the house keys.

He was already gone. Headed to Rio de Janeiro for a rap shoot, back in a week.

“Look for a used car while you do your apartment search,” he scrawled.  “You can’t survive here without a car.”

Then he closed by breezily wishing her good luck, as if nothing else should be coming her way.

She opened the fridge hoping for breakfast and saw that he only used it to store batteries and beer.

The second week, Jamie went out with Terrence and his friends.

"I hear you're a dancer," said one, a short studio exec who she thought was obnoxious. He put his arm around Jamie's waist.

"Why don't you show me some moves?"

He sure had a lot of confidence around women he just met. Jamie wondered where it came from.

Terrence was in town only sporadically and busy with marathon editing sessions. Jamie was embarrassed to keep pressing him for anything. He had already done so much for her.

In the third week she took a studio apartment with pink wall to wall carpeting a couple blocks into gang territory. All the windows had bars on them and it was more expensive than she was planning, but still the cheapest she could manage to see. Getting around town on buses was taking forever.

She found a second-hand car that made noises she didn’t understand. When she climbed in and started the engine, it felt like a life raft.

She spent $250 on a portfolio case, and $500 on headshots.

She also didn't reveal to Terrence how low on money she was. LA people seemed allergic to losers.

All she needed to do was hold on. Help was coming. She'd do some work, then she’d get a nicer apartment in a safer area, and a more reliable car.

Even Terrence said so. "When I first got here, I lived in a different part of Venice," he explained. "That was the 'hood."

Jamie went to a party at Terrence's house. He mentioned that she was going to love this crowd.

“These are the people you need to know.”

Some she knew from high school. They were wearing suits now. Even the women. Did management training programs and worked for studio bosses crunching box office numbers. Flawless skin and a toughness she didn’t recall.

She smiled and made animated small talk. The just-arrived-from-Europe mystique seemed to earn respect, but they didn’t ask anything further.

She avoided Terrence’s stupid track lights because they lit up her clingy dress and showed how threadbare it was becoming. In Amsterdam, no one cared about that kind of thing.

When she tried to find out how they had gotten started, they all assured her it was just a matter of time before she secured an agent, and then the rest would be in the bag.

They were treating her as if she were one of them. She was Terrence’s friend. That’s all they needed to know.

These successful young talents wouldn’t understand what happened on her last interview.

In a ramshackle downtown office, an old geezer of an agent had tried to feel her up.

She could still smell his dentures as he leaned close, criticizing the quality of her head shots and insisting she needed to lose 15 pounds. She’d never weighed that. Not since she was 11.

He had bits of dried food on his tie and nose hair she could see.

Then suddenly his hands were on her body.

She left his office in such a rush she forgot her portfolio on the couch. She couldn’t go back there. Now she had nothing to show people.

She had sobbed in the shower until the apartment grew dark. Climbed into bed still wrapped in her damp towel. Awoke to the guy down the hall beating his girlfriend. Police helicopters overhead, lighting up the neighborhood.

She couldn’t share this story with any of these partygoers. She was on the wrong track. They were talking box office and beach houses. They weren’t getting attacked or losing their portfolio or being told they were unemployable.

The fourth week, Jamie jumped at the chance to choreograph and appear in a dance sequence for a low budget film.

The production manager asked her to go ahead and purchase the costumes for her ten dancers. She expected to be reimbursed.

It was exposure, she was working. It would lead to something.

She rehearsed with her dancers every day for two weeks. She wasn’t looking for other work, and missed an opportunity to have lunch with Terrence and an agent.

After her sequence was in the can, Jamie tried to collect, but the wolfish production manager always suggested she come by the office late at night. She wasn’t going to put herself in that position again.

Jamie was down to one meal a day. At least she was losing weight.

This self-consciousness was a new thing. Jamie was the valedictorian in sixth grade. Sailed through puberty, and high school. Had lots of friends in college. Everyone always said she had a natural confidence.

The gross agent had mentioned the hair under her chin. Under her chin.

She had never been scrutinized so closely, not even by a lover. Maybe she had gotten too comfortable with the Dutch anything-goes.

She wondered when she could afford to get waxed at one of those Korean places. How much did waxing cost?

The next week her car died on the way to an audition. It would cost five hundred dollars to get it running again. She left it at the shop and went back to riding buses with people who smelled like nicotine was oozing out of their pores.

As she watched the bare blocks of Pico go by, she imagined initiating a romance with the Chicano auto mechanic she had met in her apartment lobby. He seemed to be interested. Maybe then she could get her car fixed for less, or free.

Who was she kidding. She was too squeamish to pull off a relationship for car repair. The tear drop tattoos under his left eye: did they mean he had been in prison?

The Hollywood Reporter advertised an open call for the dance segment of a world-famous awards ceremony.

Jamie didn't need an agent for an open call. If only she could manage to get noticed by the choreographer, she could get representation.

Four miles from her door to the West Hollywood studio. She miscalculated how long it would take by bus and was an hour late. The woman with a headset and a clipboard wouldn’t even let her enter the building.

"You snooze, you lose," the clipboard said.

Furious. Ashamed. Jamie headed for the office of the lecherous production manager, just around the corner on Sunset.

She was going to demand her money -- and she was prepared to go ballistic.

The hallway to the production office was dark and quiet.

And then there it was, like a cartoon, a huge padlock crudely attached to the door and a sign plastered over the jamb. Something about the County Sheriff's office, for nonpayment of rent.

Jamie sank to the ground and cried. Hot tears.

She would never get her costume money back.

She would never get paid for her appearance in the film.

She wouldn't be able to pay the rent this month.

She wouldn't be able to get her car fixed.

She wouldn’t be able to replace her portfolio.

She certainly wouldn’t be able to get *anything* waxed.

She'd have to call her parents and ask for money she knew they couldn’t afford to give her. And for what, exactly? Until when. Why.

Until she figured out why she thought she could do this?

Back out in the hot sun. Pounding headache and queasy empty stomach. Jamie hoisted her bag of dancing clothes onto her shoulder and walked slowly toward the bus stop.

How could she have hit bottom so quickly? Seven weeks. It must be a Hollywood record.

The purring presence of a vehicle in the bus lane. It was gaining on her. She glanced over her shoulder.

A big maroon Rolls Royce pulled up and the well-groomed driver leaned toward her.

"Excuse me, miss?  Are you an actress by any chance?"

She gave him a cold stare. Suspicious.

"You just happen to look the part of a role in my latest film....that's all. It hasn't been cast yet."

He paused to check her reaction.

She looked unsure.

"I'm the producer. Sid Teller. You've probably heard of me."

She indicated with a frown that she hadn't.

"Are you new in town?"

"I've been here a while." She rehoisted her shabby dancer's bag and looked up the street, wondering if she should just walk away.

The Rolls driver took this all in. A glimmer lit his eyes.

"The more I look at you, the more I think you're perfect for the part.”

His mobile phone began to ring. He pressed something and it stopped.

“So here's what I can do for you. This is  a tough business to get started in -- everyone can use some help,"  he said. "I've been around a long time, I know."

Jamie felt drawn to the surety in his voice and twisted her body nearer the car.

She caught the scent of his cologne, an expensive European one, notes of juniper and lemon. She liked it. Her headache was receding.

His mobile phone went off again.

He abruptly told the person on the line that he was on the way.

Refocusing on Jamie wavering by his window, he started.

“Darling.”

His voice was like honey.

“I'm in a position to offer you a complete package. The start of a lifetime, really."

Jamie squinted and tried to focus on the words. Complete package. In a position to offer.

"I'll set you up in your very own condo, ten times better than where you're staying now.  A whole new wardrobe. It looks like you could use some transportation too. Then we'll be heading to Florida to shoot my latest show, and you've got the part."

He named a series popular with adolescent males.

"It'll require a little nudity," he added.

She started to shake her head.

"The best of them got started this way, don't worry yourself."

The man turned tender, like fathers in movies.

"Sweetheart. You’re talented, there's no need to work so hard."

He could see that her expression had gone soft.

Nineteen minutes later as Sid idled at a nearby traffic light, smugly tapping the mahogany steering wheel with the tips of his fingers, it dawned on him that he had forgotten to ask the girl’s name.

The corners of his mouth went slack.

When the light turned green, he let out a long sigh and his heavy car surged through the intersection.

As he approached the Chateau Marmont bend, he straightened in his seat.

It’s fine.

If she isn't there, another one will be.

 

++++

This fictionalized account of true happenings first appeared in Livewire, a Malaysian web magazine, in 1997 when the editor asked me to write something about my time in Hollywood. Revived it at Wattpad in 2013.

Pulled Steven Paul Martini Out Of The Slush Pile

I discovered author Steven Paul Martini at Wieser & Wieser Author's Representatives

A book and author I pulled out of the slush pile in 1988.

I discovered Steven Paul Martini's debut novel THE SIMEON CHAMBER while working as director of operations at WIESER & WIESER Authors’ Representatives and Book Packagers.

It piqued my interest as a California-born archaeologist and childhood treasure hunter at Drakes Beach.

I passed the manuscript to my boss George Wieser who represented it to publisher Don Fine, who bought the book.

The author went on to become a New York Times bestselling author of legal thrillers.

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