Culture

Genotype Detectives. Cultural Creatives. Expats In Hollywood.

  • Why use social media? To discover who you really are, writes content strategist Dan Blank at We Grow Media. "When you start sharing more openly for all the world to see, outside of the social construct that surrounds you in your daily life, you share something that is uniquely you." (Here at expat+HAREM we wrote about the self-actualization of social media, especially for the far-flung and previously invisible.)
  • Wonder about your genotype? Last week was "World DNA Day" (who knew?), and expat+HAREM pal Dr. Nassim Assefi draws our attention to 23andMe, which will analyze your personal genetic info for health and ancestry purposes. Not only will you get monthly updates on DNA, and predictions for disease risk, drug response and other conditions, the report will help connect you to relatives and map your heritage. $99 at the moment, used to be thousands!
  • Cultural creatives carry the cultural change in society. The (R)evolution: the first international movie about (200 million!) cultural creatives pulls together the threads of their philosophies and their work, which are part of "a quiet but necessary revolution taking place in today's culture." Watch the trailer, donate or help promote to view the whole film. Connect with the cultural creative community on Facebook and Twitter.
  • Always happy to see an expat writer make good! Journalist Alan Paul's memoir Big in China: My Unlikely Adventure Raising a Family, Playing the Blues and Reinventing Myself in Beijing scheduled to get the Hollywood treatment. I was pleased to be featured alongside Alan in Chantal Panozzo's Writer Abroad interview series last year...
  • "Travel back in time, and around the world": This travel film archive takes you to bygone eras in faraway lands.

Comment below on any of the above, we're on the same page now...

How To Use An Identity Crisis To Your Advantage

What comes after cultural disenfranchisement?

What comes after Expat Harem, the book?

What comes after expat+HAREM, the community site?

This slideshow charts the evolution of Globalniche.net (or, how to use an identity crisis to your advantage). Below is the script of my accompanying talk The Evolution of A GlobalNiche, delivered at Turkish Women's International Network, Microsoft Headquarters, Istanbul

EVOLUTION

DREAM of belonging how PLAYING with cultural identity has helped me ACHIEVE new sense of myself, personally and pro

CONCEPT & COMMUNITY we can all can use to be successful.

MAP

FB contacts. Where in the world do I belong?

Dream of belonging. Not just fitting in. But being in the right place with the right people. Place to lead your ideal lifestyle, chosen livelihood? Work you love to do so much it’s play?

For ppl who dream of life/community beyond what surrounds u now.

Story begins. Southeast Asia. Disenfranchised experience. lost my voice. Writer but I could not make myself understood. I didn’t understand what was going on around me.

What saved me: play. Pasttimes that put me into context. Taught me about the place. Historical travelogue. Acting in a period film. Drawn to crossroads, places where time meshes, opposites collide and cultures fuse.

EXPAT HAREM

Turkey 2003. Asian complaint travelogue. Snake infested island! Pirate-filled waters! No metaphors, really happened.

Turkey kidnapped me instead - metaphor. Theoretical home with the Expat Harem anthology. Inspired by the foreign women in sultan harem, liminal state of TR.

Showed how we can be embedded in a place, yet forever alien. Survive, but thrive in limbo. Also my character, like working alone at home, in collab with others. Found historical counterparts, also cultural peers. 100 women in 14 nations answered call for subs. 100s more on book tours. No longer alone in my limbo, even if American publishers suspected I was. worried book’s nonexistent audience, 15 New York publishing houses passed before sold. proved wrong. Thanks to Turks Turkophiles, expats, travelers, women writers, Near Eastern studies types -- people like you.

EXPANDING

EH called together virtual community but nowhere to meet. 2yrs ago: group blog to address readers and see what was beyond the book.

Expand circle. not just woman expat writer in Turkey. Expats everywhere. Global nomads, multicultural types. Immigrants, intentional travelers. Men, even! Anyone in cultural limbo.

New social order, most meaningful bonds not family, culture, nation. School. Work. social web connect us on interest, experience and world view. we can find each other, learn.

HYBRIDS

EH community started teaching me. Podcast roundtable discussion, realized all using creativity to manage hybrid, multifaceted lives. Flex skills/perspectives cd bring to all endeavors. Our life trajectory not a liability! Cd be asset.

AUTHOR PLATFORM

While launching EH online, also working on 2nd book, about my friendship with a multiple personality. Problem. After success/acceptance of EH book -- 5 yrs -- committing career suicide? lose my audience, or transition them to new topic? to prepare my author platform for 2nd book, began explaining why cultural writer shifting to psychological topic. Emphasizing identity, how formed thru culture -- getting away from travel focus. Also apparent expat and hybrid life writing more concerned with personality and psyche issues than travel often is.

MULTIPLE CULTURAL IDENTITIES

there WAS a link between past work, new book. have multiple CULTURAL personalities -- like a multiple personality, honor/care for each key to health/happiness. Career 'problem' both addressed personal issue and paved new pro growth! We have fusion!

GLOBAL NICHE DEFINED

called expat+HAREM site global niche, meant niche for globalists, home in world. 6 mos definition emerged. Looking at lifestyle design, location independent movements pioneering gate-jumping new paradigms, digital nomadic practices we require when geographically or culturally disadvantaged.

Detected my community's distinctly different need. Our question not Generation-Y: "how can i live on a beach in Thailand by running a blog."

PSYCHIC LOCATION INDEPENDENCE

Instead, PLU looking for in a GN is answer to: "how can I live the life I want wherever it is I happen to be?" To live/ work to our abilities independent of location and whatever its limitations.

Maybe still in hometown, or everyone speaks language we're not good at -- whether language of tongue, some other kind. best customers 10 time zones away?.

This addresses more universal issue. How to be okay with where we are, plenty reasons why we are where we are. Don't always live in optimal setting for our dreams. Doesn't mean we have to defer. We can get started, right now.

GLOBAL NICHE WORKGROUP

Past yr: cofounded creative entrepreneurship workgroup, mastermind how building life/livelihoods around strengths and interests. What we UNIQUELY bring. Belonging into own hands, playing with possibilities to find ourselves, audience, peers. Focus on web platforms reflect our place in the world, connect to relevant ppl, communities, integrate into offline activities.

Love fusion. NOW combining workgroup with expat+HAREM mission to make our psychic limbo a productive state. A global niche workgroup.

Developing private edu community -- GLOBALNICHE.net -- to equip psychically location independent PLU -- transglobal, multicultural, dreamer in a situation mismatch -- with skills/ tools need to achieve dreams.

Please visit so we can keep u posted about upcoming launch. Thank you TurkishWIN, good night.

Masterminding An Expat's Reluctant Entrepreneurism

Along with Tara Agacayak, I run a private mastermind group on LinkedIn (it’s a subgroup of my Creative Entrepreneurs & Social Media group). Each participant presents her case study and we brainstorm next steps.

Here are some of my thoughts on an expatriate writer's mention that if she weren't an expat and forced to find ways to make a living outside the norm, she wouldn't be an entrepreneur.

It reminds me of the Dialogue2010 conversations at expat+HAREM, and how our hybrid lives have *forced* us to be flexible about a lot of things most people (especially those in our 'previous lives' if we're living outside an original territory, including who we might have been if we'd stayed) never have to deal with. Our careers are one of those things.

The beauty of being a creative entrepreneur is that it's about making your work type and situation *work* for you, for the type of person you are, and the situation you face. That doesn't mean it's the easy choice, just that it has the potential to deliver much more than you'd get from being a cog in someone else's wheel.

Was also reading something the other day about how we don't have to make money from everything we produce (or even try to sell it), but if we're professionals (or hope to be, that is, we're not hobbyists) earning money for the work we do has to be part of the larger plan.

Writing ONLY for money is different type of job than writing what you want to write and receiving money for it (at some point on the journey, and maybe not directly from the writing).

If your interest in writing dries up at the prospect of selling it, or using it as a form of content marketing for something else you are selling, then maybe writing is not an element of the paid work you want to do. Maybe you want to keep it as a hobby, a special form of personal entertainment. That's totally cool.

But, if you harbor dreams of yourself as a professional writer, not only sharing your work widely but receiving compensation for it, then writing *is* an element of your livelihood. If you have the luxury of already knowing what you want to write, and already writing what you want to write (some people are on a different carousel, where they write for hire and dream of writing from the heart and soul and it's hard to get off that carousel for the very reason that it's scary and hard) then all you have to add to your picture is a strategy to get paid for what you are already doing.

Will you have to make changes in your plans, will you have to improve to be competitive, will you have to be sensitive to your readership? Will you have to be aware of the market and how it works and what the shifts are in publishing? Will you see clearly whether you have achieved your professional writing goals or not? Yes.

In fact, writing might suddenly seem like a different kind of work if all that stuff I just mentioned has previously been kept separate from your writing life. I think this might be the key for you. Integrating in small steps your writing as professional, and with a market purpose.

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Another participant of the group points out this post by creativity coach Mark McGuinness of Lateral Action that if Shakespeare had continued to work for a patron, we may never have heard of him.

Upheavals: Navigating Our Changing Worlds

In a season of tough shifts, we're making some changes at the site to provide a new perspective on evergreen subjects, and elsewhere on the Internet we're following history as it's being made (and invited to create some of our own). +++++ AT expat+HAREM

You may have noticed our site looks different. We've upgraded to a more powerful (and professional!) blog theme and will continue rolling out improvements (on the fly, so we apologize if you encounter a glitch here/there)... Biggest difference: a new way to navigate our content.

expat+HAREM topics are enduring to hybrid souls and identity adventurers -- the basic truths and conflicts aren't set to expire any time soon. So we've unmoored our content from its original pub date.

We've also randomized the home page offerings to unearth expat+HAREM's riches and help you foster new associations among our favorite subjects. Surf our category menu on the top of the page -- staples like culturefamily,careerself-image -- and surrender to serendipity. Let us know if you discover something you've never seen before!

A cure for world class stage fright: expat+HAREM partners with a life coach teaching women to 'play big', with help from microlender extraordinaire Jessica Jackley of Kiva.org and other top-performers on the world stage. Don't miss Tara Sophia Mohr's Playing Big programregistration closes on April 11!

In other site news: we're talking about publishing and the digital world citizenhow Stockholm-based digital designer Kate England relies on her bicultural background to serve a global clientele, and a recent gathering of cultural chameleons.

+++++ AROUND THE WORLD & AROUND THE WEB

A hearty welcome to another home away from home for people like us, a zeitgeisty new site for international travelers, The Displaced Nation: "a country for those of you who have traveled for so long and crossed so many cultures you don't seem to belong anywhere else".

We don't have to tell you, the world's in an uproar.

We've been attempting to process the changes through Twitter's on-the-ground immediacy and multiple sources.

This interview by Jillian York at Global Voices shows how Andy Carvin at National Public Radio creates his international crisis feed. It's no surprise TIME magazine just named Carvin among the top leaders, icons and heroes to follow on Twitter in 2011. He's innovating contemporary journalism (for both the creators and consumers) while providing on-the-job training to citizen journalists *everywhere*. Priceless.

Quick follow: I've created a Twitter list to more closely follow the uprisings in the Arab world.

Another intriguing Twitter-sourced project is the 2:46 Quakebook, a book about how March's Japanese earthquake affected us all. Proceeds go to the Japan Red Cross. Follow the tale of this globally-sourced creation at #quakebook.

+++++ YOUR THOUGHTS

Care to report something changing in your world this season?

Masterminding A Membership Site

Along with Tara Agacayak, I run a private mastermind group on LinkedIn (it's a subgroup of my Creative Entrepreneurs & Social Media group). Once a week someone steps into the center and asks for feedback and suggestions on their next steps. A week of discussion ensues. Here's my prompt about what I'm thinking of doing.

Hey all! Besides the in-progress shift at expat+HAREM (which includes among many other changes, making the content evergreen and getting off the feed the beast with original content every week treadmill), with Miss Tara I am working on creating a spin-off community.

Globalniche.net. GN will be a private and paid membership site for the same global citizen/multiculti/expat audience, but focused on solutions rather than simply discussion and entertainment. Adding practice to the theory.

In many ways Globalniche.net will reflect what we’ve seen at ThirdTribe.com this past year: bulletin boards for discussion of numerous topics, regular hosted seminars, audio and video interviews with experts and fellow seekers, custom-created educational material and special offers from solutions providers, and a support community to enact the things being discussed. It will be an actionable space, and since it will be shielded from public view, it will also have an intimacy we can’t experience on the open web.

Everyone in this mastermind group (along with some other solid members of our current eH and creative entrepreneur community) will be invited to join as founding members. When we’re ready to launch a monthly membership option will open more widely.

When we get started (date not set but within 6 months) we’ll be asking the below kind of questions to our founding members. It would be great if you could get the ball rolling, tell us what would make this a VERY valuable community for you, as well as throw out your own questions about the plan, or what we might also want to ask our founding members.

What is your biggest pain in finding your place in the world outside of your culture and comfort zone, and operating to your true potential both professionally and personally?

What is your biggest pain embracing all the worlds you love to belong to?

What drew you to e+H (and kept you coming back)?

What improvements to e+H’s brand and offerings would you like to see in a membership community at globalniche.net?

What tutorials, resources and educational material would you want from GN? What do you want to learn how to do? What do you need support for?

What kind of people would you want us to interview and make accessible to the community (by name if you know them)?

 

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Here are some of my responses to the feedback I received (I'm not sharing the direct feedback since the group is private). Five people participated (thanks to Catherine Bayar, Catherine Yigit, Sezin Koehler, Jessica Lutz, and Tara Agacayak!) and contributed 34 comments:

Thanks all, keep it coming! Characteristically, I have so many other deadlines this week I am practically missing my own party.

Thanks for the broader view of who might be of interest to hear from. Yes, futurists. In particular, may be able to address the tensions of living ahead of our time...because that certainly encapsulates a lot of the issues we face. It's coming for many others too, but we happen to be dealing with it all now.  Agree, Global Niche is a widening of the Expat Harem window, and I'm looking forward to transitioning to it, as well as bringing in new people for whom expat+HAREM may have seemed too 'niche'. Glad that the questions feel deep to you, and thanks so much for plumbing them. The deeper we can go here, the better we can start off the block. It's heartwarming to be able to trace where we came into each other's lives -- and so far back, too. Want to hear the revolutions the link has caused in your life, because it's a natural path to where we are taking this -- together.

Ooh yes I like the idea of being able to discuss whatever topics of the day that people are interested in (like art and culture and world affairs)....that would be possible in the bulletin board area where anyone could start a thread of their choice. Definitely on my list of interviewees are Amna Ahmad and Justine Musk!

You guys are really giving me some good direction here, about bringing my own worlds together. Being that bridge to make sense of how different communities and the leaders in them are informing who we are, and what our issues are. In particular, you're giving me some very clear ideas about how GN.net can synthesize all the best elements of what we know to be happening out there (rather than cover the same ground other expat or travel sites do and in the same way...because frankly, if those other sites were speaking completely to what I/we need, we wouldn't even be talking about this right now.) <- Exciting, challenging!

Thanks for your words about the newsletter, and the type of people and ventures mentioned in it. The newsletter can be a bridge between expat+HAREM and the GlobalNiche, and be a way to transition those who are interested into GN.  I'm also thinking about upgrading the newsletter to be more graphic...will need some tutoring please. Yes to the real-world meetings as often as possible (Tara and I've been making plans for a recurring Istanbul gathering) and I think we could also use a freaking major retreat on a regular basis.

This is really great feedback, thank you!

$$$ >> ONE LAST QUESTION << $$$

if you have any thoughts on it: price range. What would membership in this private community be worth to you?

Could be a range of prices...from the most basic offerings we talked about to more intensive and developed services.

Like Third Tribe -- the early adopters pay very little, and were part of the growth of the community. Now, they've just capped the community at a much higher rate and when they reopen, it will be still higher. All the while they've improved their offerings and built a year's worth of equity that new members can tap into from the very first day. So, can you share some comparable prices for memberships you have paid for, or know about?

Yes, the target market is a widening of the demographics attracted by eH material. Expanding to everyone who finds themselves geographically disadvantaged (could be and American in Kansas), culturally fragmented, etc. The idea is that this notion of a global niche may have come from our own need to find solutions but it can be applied to many other life situations too that may not seem so extreme in their disconnection.

Third Tribe is an example of an educational support community. It happens to be for online marketing. That does intersect with part of our interests at eh/GN but I don't mean that GN = internet marketing community. The model is instructive. As for cost, they opened the community at $27/month. I found that easy to sign on for, even though I'd never been part of a paid online community before. I think one of the reasons is that they had done a good job of letting me know what I'd be getting, and how I needed it.

I agree it would be great to have a resource area of best links on different useful topics...and self-help/self-improvement experts too. The counseling leads: There's a newish website of counselors globally (ExpatExpert.com was passing it around), as well as whole organizations for online counseling. Things have really changed, and it would be good to be on top of what's available.

Today we wrap up...thanks again to everyone for your fantastic comments and food for thought. (And excitement at the prospect of GN.net!)

FYI, we've got a Global Niche Facebook page as of today, and are collecting interested parties over there -- so head on over and like up. Thanks again for a terrific week of masterminding. You are all wonderful.

Masterminding Optimizing A Writer's Online Presence

Along with Tara Agacayak, I run a private mastermind group on LinkedIn (it’s a subgroup of my Creative Entrepreneurs & Social Media group). Each participant presents her case study and we brainstorm next steps.

Here are some of my thoughts on optimizing a writer's presence online, including consolidating her blogs and deciding on which social media services to use and how.

I changed my anastasiaashman.wordpress.com blog to my own domain and there were no posts lost. it took a hour or something, no big investment! The method is actually easy and since so many people before you have done it, there are tutorials too. do you have a domain and host ready to go? if so, i think there is even a option inside your wordpress.com dashboard to take you through the steps. If i find a tutorial i'll post it. Here we go, first returned on google: http://www.labnol.org/internet/migrate-wordpress-blog-to-own-domain/12776/ Here are more considerations but an older post: http://remarkablogger.com/2008/03/18/moving-wordpress-com-self-hosted/

Actually if you read the second post above, you'll see a good reason to consolidate your site and blogs under one URL: "search strength". Will be talking more about this soon, but it's something to consider -- bring everything under one umbrella, with a menu that sends us to different areas. And if you're not blogging often, you don't need a separate blog for those different interests. just use categories to separate them, and one blog with unlimited static pages.an idea for what to do on twitter (which i think is best SM platform for you to be active on besides your own blogs) -- focus on twitter chats for writers.

Here is a list of Twitter chats by Inkygirl. Look thru the schedule, pick the ones of interest and then show up for them. Participate. Use the hashtags, talk to the people there, follow them.

This way people will get to know you, and your time on twitter will be spent in groups of professional interest to you.

 

There are also agent chats and book seller chats and publishing world chats. Branch into them as you see fit. Talk about your work in the context of the chat, but also just be engaging with others and people will check out your profile, follow you, and see what you've got going on. Talking to other writers who have books they want to publish is a way to talk about your own...

I wouldn't spend a minute more on LinkedIn (besides this group, I mean). Facebook is nice but if you're going to put in time or drive traffic it should be to your own site. Twitter + blog/site it is!

Alexandra Samuel is a woman who knows what she's talking about: "How to sustain a social media presence in 3 hours a week." Take a look at her suggestions and see what you can do to set up a system like this.

Also, look at this "Strategic tweeting for authors: If you’re an author who isn’t active on Twitter, you’re making a huge mistake, say savvy book-marketing gurus."

If you're going to tweet add a twitter widget to your site so your more ephemeral activities and the conversation and info you share can be seen by visitors to your site. It makes it look like someone's home. Here's how.

Remix Culture: Cross-Pollinating With Our Pluralism

This month we're acknowledging that where we come from counts (see this urban psychology article on the geography of temperament, and take this quiz to pinpoint how to make life choices "congruent with your temperament") -- and by bringing what we uniquely have to offer, we're cross-pollinating the culture. And we extra-extra-extra love to hear this => Pluralism is always practical: when we draw on our own mixed identities we're more creative!

+++++ AT expat+HAREM

Meanwhile a Third Culture Kid and food activist in Colorado says no to the American predilection for huge cups of coffee consumed in the car, and yes to the communion found in ethnic dining rituals from her childhood and travels.

An American born and raised in Japan finds a way to bridge the cultural divide through the whimsical folk art of etegami.

So much good stuff coming our way, impossible to share it all....here's another way to get on the same page with us: we're now attempting to round up the zillions of resonant links that fly past us every day -- like these ones about global careers, and international politics and the hybrid souls we all possess.

+++++ AROUND THE WORLD & AROUND THE WEB

If you're in New York on the 25th, don't miss an evening about "How to Run the World & Hybrid Reality", presented by expat+HAREM's global nomad salon coproducer Janera Soerel. Global adventurer-scholar Parag Khanna and his wife Ayesha will introduce their new institute exploring human-tech co-evolution.

And for the collectors, from the filmmaker, author, producer, and musician known as DJ Spooky comes this compilation of essays examining 500 years of collaborative creation, "from the history of stop-motion photography to Muslim influences on early hip-hop."

+++++ YOUR THOUGHTS

What are you remixing in your personal culture?

Groupon Ad Fiasco + Kenneth Cole Twitter Debacle = False Cosmopolitanism

Screen Shot 2013-09-02 at 12.01.47 AM

Groupon's SuperBowl ad fiasco when the company attempted to mix consumerism with sensitive political, environmental, cultural, economic and social issues, and the Kenneth Cole Twitter debacle which appeared to make light of unrest in Cairo are examples of the bellyflops that come from false cosmopolitanism.

I wrote about this back in August of 2010.

We’re suffering from a false sense of cosmopolitanism. Access to the worldwide Interwebs leads us to imagine ourselves global thinkers. But we’re not -- unless we’re true xenophiles, bridging cultures, immersed and knowledgeable about multiple worlds.

Most people hang out in “like-minded microcosms” and when we cross a boundary online the new light shed on everyone’s prejudices and assumptions can take us by surprise.

“Xeno-confusion” is happening more often in the virtual realm, with higher and higher stakes. How are you preparing yourself for a wider world?

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Related: Global Dexterity

Insights From Last Season's Mastermind Sessions

My fellow admin in the Creative Entrepreneurs & Social Media group at LinkedIn prompted us for insights from last season's private mastermind sessions. "List one thing you applied using the feedback you received and the results you witnessed after putting it into practice," writes Tara Agacayak. "If you did not have the opportunity to present your case study, you are welcome to list one thing you applied that you learned in the process of this mastermind that has brought you results."

My response:

My mastermind question was about monetizing expat+HAREM (and I got tons of great suggestions and debate from you all!). The most impactful thing that emerged was that regardless of what my people will tell me they want (when I send out the survey!), my success will hinge on the idea of partnering with people who have related yet different businesses and have high-quality, appropriate products and services to offer.

I may know something is valuable in my arena when I see it -- but that doesn't mean I have the time or energy to create it from scratch myself. I can be a conduit for that product or service, and in partnering with others I can co-brand the thing. And over time, I can grow my community based on those offerings rather than the free ones -- "a small band of givers rather than a lot of takers".

An example of where you see that impact today is in the "Build Your Global Niche" program I am creating with Tara, the mastermind demo we did this month for the International Pro Women of Istanbul and the tutorial mailing list we started. They are early steps to a larger plan for eH, which is about preparing expat+HAREM readers to be a cohesive, actualized community putting a creative entrepreneur web platform to use in their location (and monoculture?) independent lives. To solve their problems with the very tools that are solving ours. To give them access to the people who ring our bells...and in turn to give those bell-ringers access to an appropriate community for their offerings. Win-win.

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Among the other enlightening, and empowering results reported:

"I have integrated the main social media tools with my website and I have added posterous to the main tools to work with."  (To this I say: that's some integration that not only makes you more visible but also saves you energy in the syndication of content!)

"I re-organized my twitter, creating more strategic and useful lists. I started tweeting other things besides news." (To this I say: I felt your presence on Twitter so much more recently. Kudos for finding a Twitter third party service that lets you do things your way.)

"With your suggestions and guidance I simplified my offerings into two categories - Free and Premium."

"By creating a website for purely professional purposes I ended up getting a great deal more interest in my services on eLance. By redoing the header on my site I find that people spend more time on the website than they had been doing." (To this I say: great you're able to point to those concrete, quantifiable results from the advances you've made (email responses, view time on site).)

"I had a fairly fixed idea of how I wanted my site to be before the session. Afterwards I was questioning every single aspect of it! It really helped to have other people's input, to see where they thought I should head and how to arrange the site. That's the beauty of this group, positive criticism that can change how you approach things." (To this I say: can't wait to see how your site turns out with those added dimensions in the process of creating it!)

"My biggest win has been creating a cohesive visual hub. From that unity, I've been able to start weaving a very colorful picture in images, not just words. Using fun tools like Picasa/Picnik, Animoto (my new fav way to tell stories, which you'll be seeing with my Kickstarter relaunch this month) and taking new photos of our product on Etsy as well as new portraits of our main product - us! - have changed the site dramatically and increased Etsy sales. So, pulling together the visuals our brand projects to the world has been key, thanks to all of you!"

 

 

 

 

Masterminding How To Deal With Social Media Anxiety

Along with Tara Agacayak, I run a private mastermind group on LinkedIn (it’s a subgroup of my Creative Entrepreneurs & Social Media group). These are my thoughts on a session dealing with social media anxiety.

Successful social media use is ALL ABOUT THE FILTERS. Definitely a good topic for a mastermind because the solutions presented this week have the potential to revolutionize your experience with social media and that is major.

My first thought is *use automating tools* so you can stock your feeds at your convenience, decide when the info goes out and where to, and you don't have to visit the sites to post. Much less overwhelm. I use SOCIAL OOMPH for my twitterfeed. It's free, and dead simple. (I also post extemporaneously, but for purposes of this response on automation, that doesn't matter.) Social Oomph allows me to enter as many posts as I want, choose the time and date. Hashtags. Only thing I can't do is post the same tweet twice or "@" replies. You use Networked Blogs at Facebook, I see, great. Email mailing providers also let you post a link to FB and Twitter. You can hook up LinkedIn to Twitter to post at LI your Tweets. For Twitter if you try a third party app like HootSuite or Seesmic or Tweetdeck you can break your subscriptions into categories and only peruse one category at a time. "Friends", "Photographers". "China." That might help you dip a toe in.

Also, you can create a category based on a search term so you can easily respond to tweets on your favorite topics without having to wade through lots of material. So, my first advice is USE SOME FORM OF AUTOMATION on each platform and alternate it with spontaneous contributions, reactions to others, replies. (There is such a thing as overdoing it, and obviously not being present which makes people feel they are being pushed at by a machine.) On the Twitter site itself you can use "Lists" to group your subscriptions and only peruse what one list is tweeting. Personally I have used lists to expand who I follow without making my main stream 10,000 people strong! Here is a good list of "power twitter tips" from Chris Brogan "in five categories: intent, technical, business, integrated usage, and off-twitter. Here's a post about "How to overcome the concern that social media is a time suck" with tips on strategic following and here's a personal branding checklist for Twitter usage. Someone here mentioned to weed out tweeters who 'don't say thanks'. To me, I'd rather not read tweets solely thanking people -- empty tweets that say "thanks for the RT!" are a last case scenario. Sometimes I do it when I'm falling behind, but it's of little value.

A way to better thank someone is to look thru their stream and RT or react to something of theirs. To engage with them, then it's not about keeping score, but the fact that it becomes natural to be involved with them.

You might like this latest post from TRIBAL WRITER's Justine Musk about building an author platform with social media (whether you're an 'author' or not). She writes that the path comes partly from 'strategy' and partly from following your instinct.  Figuring out why you're driven to write (or whatever else creative thing you're doing) and sharing that "inkling, which will lead to other inklings, which lead the way. You'll promote your own work while you're at it."  Musk also she talks about how your blog is your hub, and all these other sites are spokes where you meet your network. "And those different platforms require different forms of content. But you can take your big content – long blog entries, or ebooks or whitepapers — and break it into smaller chunks and bites and tweets. You can take your small content and explode it into something more in-depth. You can transcribe your podcasts and post on your blog; you can tweet cool quotes from your video interviews; you get the idea. Your content feeds your content feeds your content." In a recent Third Tribe seminar Sonia Simone interviewed Naomi Dunsford who said "scare off the people who aren't interested". That could be by your topic alone, your attention to detail, your tone, your seriousness or flippancy, whatever. But basically, you need your people to gather, and how will they know if they're you're people if you're holding back and trying to please everyone? You mentioned not wanting to break down your blog posts. Here's a list of 40 things you can tweet that aren't derived from your blog postings. Good ideas, show the depth of experience and expertise you can demonstrate.

Woman-Of-The-World Producer Newsletter

I'm starting a *completely irregular* newsletter about my cultural entertainment productions and all the wild places they're taking us plus my thoughts on the ever-changing media/entertainment world.

This mailing will be a personal take on a professional life. A behind-the-scenes look at a far-flung entertainment bizwoman.

In a variety of formats, I'm developing five hybrid projects about identity, culture, relationships. Art historic soap operas of imperial proportion. Funny truths of family culture clash. Personal epic of friendship and healing.

Along the way you can select which of those five you want to hear more of, which project you'd like to follow more closely, what kind of notifications you want. Like: "Just tell me when I can download your Ottoman Princess 'My Big Fat Greek Wedding-meets-Meet the Parents' ebook comedy to the iPad!"

* You may not yet be familiar with my wider body of work, but you probably guessed my beat of women, culture, and history, with an emphasis on personal dynamics, from one family to entire hemispheres.

Making The Psychic Limbo Of Global Citizens A Productive State

The expat+HAREM COMMUNITY AIMS TO HELP YOU: 1) DISCOVER your psychic peers + global community 2) CREATE a hybrid identity from your many worlds

Why do you need our help? The short answer: Because liminal life is a bittersweet limbo -- coming, going, never quite arriving -- and here at expat+HAREM the community embraces this unmoored and central reality of our globetrotting, multicultural, hybrid times.

A PLACE WHERE DIGITAL NOMADS, EXPATS, IMMIGRANTS, FUTURISTS AND WORLD CULTURALISTS ARE UNIQUELY SUITED TO SUCCEED

The psychic limbo and identity adventure global citizens experience today is expat+HAREM's sweet spot. Our neoculture.

This neoculture is our situation in life and our world view. What we work to make sense of, and to capitalize on.

Here at expat+HAREM we've defined the problem, and provide the solution.

Glo· bal· niche, n.

a psychic solution to your global identity crisis

[More about Anastasia Ashman, the founder of this global niche.]

MAKING LIMBO A PRODUCTIVE STATE Limbo is usually considered a place in-between. A state of suspended animation. Paralysis, a spinning of the wheels. Nowheresville. But it can also be an unconstrained place where anything is possible. That's how expat+HAREM choses to see it. Multifaceted people like us have strength and flexibility and experience and access to multiple perspectives. These are all assets.

WE'RE IN THE VANGUARD AND NEED EACH OTHER Globalization has had an unfortunate disenfranchising effect. (Perhaps like many in our community you've been there personally!) However, despite the resistance and misunderstanding and worrying 'purity' movements we're witnessing in populations large and small, at expat+HAREM we believe fostering our particular dialogue of culture and identity is a way forward. A chance to find new and meaningful connection to the world while making sense of conflicting situations.

IT'S NOT ALL BIG PICTURE Sure, we like to talk about the big picture -- whole hemispheres and societies! -- but at our heart we're concerned with the smallest details of the individual. Navigating relationships with people in your life. Achieving psychic location independence. Negotiating our personal connection with the many worlds we love to belong to. That's how we'll find our global niche.

HERE'S WHAT WE MEAN WHEN WE SAY "WE'LL HELP YOU FIND YOUR GLOBAL NICHE": a psychic solution to your global identity crisis.

COMMON INTEREST AND EXPERIENCE DEFINES US

Our most important bonds are no longer solely decided by geography, nationality or even blood. When we find where we uniquely belong in the world we've found our global niche.

expat+HAREM, the global niche embodies the Expat Harem concept* -- localized foreigner, outsider on the inside -- while speaking to intentional travelers, identity adventurers and global citizens of all kinds.

This 2-year archive of neoculture discussions delves into perspective on the crossroads and dichotomies of our hybrid lives:

  • modern existences in historic places
  • deep-rooted traditions translated in mobile times
  • limiting stereotypes revisited for wider meaning
  • the expat mindset as it evolves from nationalism to globalism

More.

THOUGHTS ON HYBRID LIFE WRITING Combining outsider-view-from-the-inside and journey of self-realization, we think expat/emigree/immigrant literature deserves a shelf of its own.

+++ OUR ROOTS +++ Based on the original Expat Harem concept by Anastasia M. Ashman and Jennifer Eaton Gokmen

expat+HAREM, the global niche is the archive of a group blog and community site launched in 2009 by Anastasia Ashman, coeditor with Jennifer Eaton Gökmen of Tales from the Expat Harem: Foreign Women in Modern Turkey.

* The site is inspired by the cultural embrace and self-exploration of that best-selling and critically acclaimed 2005 expatriate literature collection.

+ DETAILS: media coverage, academic uses, and awards for the anthology created and edited with Jennifer Eaton Gökmen, compiling the work of 32 international Expat Harem writers.

+ BEST 5 BOOKS ON TURKEY: Turkey’s most-read author Elif Shafak picks Expat Harem among the best 5 books on Turkey (Five Books, November 2010)

+ THE ACCIDENTAL ANTHOLOGIST: expat+HAREM founder's personal story behind the book.

+ HAREM GIRLS FOR SALE: 2 years from workshop to bestseller list -- the story of two expat editors.

Editors interviewed on The Crossroads satellite TV, July 2009

+++++ Take the next step with us --> into GlobalNiche.net's creative self enterprise for the global soul.  Another good place to explore:  Anastasia Ashman's producer page at Facebook.

Masterminding A Writer, Artist & Cultural Curator Platform

Along with Tara Agacayak, I run a private mastermind group on LinkedIn (it’s a subgroup of my Creative Entrepreneurs & Social Media group). Once a week someone steps into the center with a case study and asks for feedback and suggestions on their next steps. Here are my thoughts on building out a writing and artist platform:

I use Wordpress and Tumblr (simply as a feed of my blog, microblog and Delicious activities). It seems moving to Tumblr or Posterous might make things much simpler for you as a blogger-- they seem easy/breezy as blogging platforms -- whereas Wordpress's wider capabilities will encourage building a bigger site with more going on. So, since you're talking growth and not just 'make it easier' then I'd say Wordpress.

As for platform building, where are you meeting and engaging with potential readers of your novel (besides Twitter, SheWrites, Facebook, LI, your blog)? Any communities out there specific to the topics in your novel? Taking part in reader-based litchats on Twitter would be another way to start being known as the woman behind the voice that people will be able to read when your book comes out. (Consider posting small excerpts of the book so we know what it's about and grow connected to it?)

Maybe someone here can share leads to artists, writers, cultural curators that you are aware of online -- if you know of them, they're doing something right to get your attention.

As for making the hybrid nature of your work clearer through your platform, I'm reminded of the blog convention of another multifaceted woman: Ruth Harnisch.  She breaks down the different channels of her being and lets that be the structure of her site. "The Maker of Mistakes". "The Philanthropist". "The Catalyst". "The Recovering Journalist". Perhaps something like this might allow you to indulge your interests and help a visitor to your site/blog comprehend your better?

The expatharem site has sold books through its Amazon link -- in the first couple of years of the site. The #s since I relaunched the blog are too tiny to count for anything and that may be a result of the maturity of the book or the fact that I don't push it much on the site, and/or people aren't coming to the blog to buy the book or learn more about it. However, yes, making things available to our interested parties is part of making what we do a business. We have to make the offer. It's relevant. However, I also know being on twitter has sold books. People I met there, people who found out about the book on twitter (like during #litchat on expat lit).

Also: here's a great interview with a 'unmarketing' book author about how he built both a support system and a target audience on Twitter and presold 3,000 copies of his book. Good lessons there about how to engage and when to sell. 

In response to your question about using your own name as a brand, an SEO specialist I know from ThirdTribe (@CraigFifield) just offered an impromptu SEO consult on Twitter before the end of his workday/workweek. I took the liberty to ask him for an opinion on this, in general terms. Here’re the tweets (which overlap, as Twitter does)....

CF: i have 15min before I quit for the day -- how can I help you with SEO or your Blog?

AA: wd someone's name be a better blog name for SEO than tagline about art and the creative life?

CF: in terms of SEO I would use a keyword that people are searching for. Or, I would go for branding and ignore SEO

AA: that is, are proper names SEO at all? and generally used words and phrases amount to very little in SEO world?

AA: so in researching keywords "creative life" what result would prompt good use of that phrase in blog title?

CF: depends how your audience uses those words. I would do some keyword research to decide. do you have an example?

AA: ok think i got it! (branding with a proper name means SEO considerations unnecessary)

CF: well, unless your brand will eventually be big enough to be searched on :) make your brand name unique to win there

Masterminding A Grant-Writing Consulting Biz

Along with Tara Agacayak, I run a private mastermind group on LinkedIn (it’s a subgroup of my Creative Entrepreneurs & Social Media group).

Here are my thoughts from one of those sessions, on the topic of a grant-writing consulting biz:

 

If you were to create a blog to sell this skill I imagine you sharing resources, techniques, news about the grant writing process and opportunities. Examples and lessons drawn from your own experiences consulting others. Taking questions from your readers and addressing the answers in a post, all the while very clearly offering your consulting services -- more of the same high value understanding of the field, and personalized attention for the client -- at the end of each post, in the side bar. Offering a teleclass on the basics of grant writing. selling small ebooks with up-to-date resources and your guidance on various elements of grantwriting, and considerations for different sectors.

I bet you could knock out 20 topics you'd want to cover in a blog series, and that would get you very well started. try making a list of catchy headlines to peg the subject matter... "Grants, in this economy?!" "The secret of getting a grant" etc.

I'm not familiar with the territory but you might like to distinguish yourself from the other grant writing consultants out there -- so a bit of research to see what they're doing and how you might like to approach it differently. what you know/care about that they don't. personally, i'd love to see you bring a little of your personality to this business -- if it's at all possible. Who needs dry info when they can get a little zing with solid advice? It could be simply in the language you use to talk to your readers about what might be a dry subject.

I would love to learn more about grants *I* could get! Bet we all would. You could be the cool educator of your audience. How about targeting the audience you already have -- and help them find grants to do the work they love -- rather than splitting off to service a different group of people?

My Transmedia Wedding Project

....imagine “Meet the Parents” colliding with a grittier “My Big Fat Greek Wedding”! Transmedia ebook/screen adaptation of my Expat Harem wedding tale “Like An Ottoman Princess”, about bridging my radical West Coast family and traditional Near East in-laws at a palatial Istanbul wedding.

STORY EXCERPT Two families colliding. From different nations with textbook opposite cultures and traditions: An avant garde American family with a traditional Old World one. Secular Christians with secular Muslims. People from a famous anti-war community in the San Francisco Bay Area with a Turkish family steeped in military service and proud participation in NATO’s SHAPE, from a nation where the military is revered as the guardians of the republic. Bringing them together -- or is she keeping them apart? -- is a countercultural bride who may have arrived on this palatial doorstep through a lifetime of reinvention, but her past and her parents are somewhere else entirely.

More details to come about this and the counterculture family-themed prequel, THANKSGIVING WITH MARY JANE (featured on the homepage of the Red Room writing community, November 2010) and Chicken Soup for the Soul: All in the Family (2009).

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False Cosmopolitanism

We’re suffering from a false sense of cosmopolitanism. Access to the worldwide Interwebs leads us to imagine ourselves global thinkers. But we’re not -- unless we’re true xenophiles, bridging cultures, immersed and knowledgeable about multiple worlds. Most people hang out in “like-minded microcosms” and when we cross a boundary online the new light shed on everyone’s prejudices and assumptions can take us by surprise.

“Xeno-confusion” is happening more often in the virtual world, like this stumble into unfamiliar territory. Viewed through the lens of American civil politics, an American company's skin whitening product campaign on Facebook targeting Indians raised an anticolonialist uproar -- but not from the Indians. (No similar protests reported for popular self tanners that darken the skin.)

The launch of TEDWomen, a conference examining the effect of women and girls on the world’s future, created its own online culture shockwave. Are we all on the same page, North American feminists blogged here and here and here, wondering if a gathering separate from the main TED event to discuss the impact of womankind is brilliant or belittling. A blog sought a more nuanced perspective and tried the group replacement test, substituting one marginalized group for another. Imagine TEDGay. TEDMinority. TEDPoor.

Recently in a 10,000-person international network for women writers I found myself in an alternate online reality. An author asked the general community of “White people” (sic) to promote her new work, sight unseen besides a short synopsis, because booksellers relegate titles by black authors like her to a separate section and that negatively affects sales.

Her book substance-free promotion was at odds with how and why people share information and recommendations about books, even marginalized, discriminated against writers. Instead she let everyone know she “loves White people” and her “Spanish husband looks white on the street”.

A majority of the responses were “Sure, I’ll do that for you.” I expressed my confusion. Why was she talking to us like we were part of the problem? Why not normalize the work by taking it off the margins and offer to show it to those of us fellow writers who want to review it in our respective media and communities?

What a baffling corner of the Internet: a place where I'm addressed like a person who normally chooses reading material based on the author’s skin color  -- that would be dumbly racist, no? -- someone who today can be convinced to promote a title (to my Great White People Book Club) based on the original poster’s shelving problems at the bookstore and the-more-palatable-to-me skin tone of her husband glimpsed from afar.

Does it matter that there is definitively no such thing as a White people, or a Great White People Book Club, or that the motivation for word of mouth marketing requires a product to be “extremely helpful, interesting, unique, or valuable to a specific niche market”? Not in that particular microcosm, a place running on logic inherently foreign to me.

In this SheWrites universe I don’t even need to do a group replacement test (“Rich people”, “Powerful people”, “Beautiful people”) to know someone imagines it’s that easy to butter me up for their own purpose.

We may believe we’re global thinkers, and not be. But we’ve got other challenges. To be a global thinker demands we navigate and find a way to bridge worlds that might make only a sinister kind of sense.

As a xenophile, where online do you stumble?

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